Graduate School of Medicine, Osaka University, Toyonaka, Osaka 5600043, Japan; Research Center for Human Media, Kwansei Gakuin University, Sanda, Hyogo 6691337, Japan.
Neuroscience. 2009 Dec 1;164(2):822-31. doi: 10.1016/j.neuroscience.2009.08.024. Epub 2009 Aug 18.
The present study investigated a skill-level-dependent interaction between gravity and muscular force when striking piano keys. Kinetic analysis of the arm during the downswing motion performed by expert and novice piano players was made using an inverse dynamic technique. The corresponding activities of the elbow agonist and antagonist muscles were simultaneously recorded using electromyography (EMG). Muscular torque at the elbow joint was computed while excluding the effects of gravitational and motion-dependent interaction torques. During descending the forearm to strike the keys, the experts kept the activation of the triceps (movement agonist) muscle close to the resting level, and decreased anti-gravity activity of the biceps muscle across all loudness levels. This suggested that elbow extension torque was produced by gravity without the contribution of agonist muscular work. For the novices, on the other hand, a distinct activity in the triceps muscle appeared during the middle of the downswing, and its amount and duration were increased with increasing loudness. Therefore, for the novices, agonist muscular force was the predominant contributor to the acceleration of elbow extension during the downswing. We concluded that a balance shift from muscular force dependency to gravity dependency for the generation of a target joint torque occurs with long-term piano training. This shift would support the notion of non-muscular force utilization for improving physiological efficiency of limb movement with respect to the effective use of gravity.
本研究探讨了弹钢琴时重力和肌肉力量之间的技能水平依赖性相互作用。使用逆动力学技术对专家和新手钢琴演奏者在下行运动期间手臂的运动学进行了分析。同时使用肌电图(EMG)记录相应的肘部主动肌和拮抗肌的活动。计算了在排除重力和运动相关交互扭矩的影响后的肘部关节的肌肉扭矩。在将前臂下降以敲击琴键时,专家将三头肌(运动主动肌)的激活保持在接近休息水平,并降低了所有响度水平下的二头肌的抗重力活动。这表明,肘部伸展扭矩是由重力产生的,而没有肌肉工作的贡献。另一方面,对于新手来说,在下行运动的中间会出现明显的三头肌活动,其数量和持续时间随着响度的增加而增加。因此,对于新手来说,在下行运动期间,伸展肘部的加速度主要由主动肌力量贡献。我们得出结论,长期钢琴训练会导致产生目标关节扭矩的肌肉力量依赖性向重力依赖性的平衡转移。这种转变将支持利用非肌肉力量来提高肢体运动的生理效率,以有效利用重力。