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演奏者与弓弦:小提琴和中提琴演奏中弓法参数的协调。

The player and the bowed string: coordination of bowing parameters in violin and viola performance.

机构信息

Department of Speech Music and Hearing, School of Computer Science and Communication, KTH, Lindstedtsvagen 24, SE-100 44 Stockholm, Sweden.

出版信息

J Acoust Soc Am. 2009 Nov;126(5):2709-20. doi: 10.1121/1.3203209.

Abstract

An experiment was conducted with four violin and viola players, measuring their bowing performance using an optical motion capture system and sensors on the bow. The measurements allowed for a detailed analysis of the use and coordination of the main bowing parameters bow velocity, bow force, and bow-bridge distance. An analysis of bowing strategies in detache playing of notes of three durations (0.2, 2, and 4 s) at three dynamic levels (pp, mf, and f) on all four strings is presented, focusing on the "steady" part of the notes. The results revealed clear trends in the coordinated variations of the bowing parameters depending on the constraints of the task, reflecting a common behavior as well as individual strategies. Furthermore, there were clear indications that the players adapted the bowing parameters to the physical properties of the string and the instrument, respecting the limits of the playable control parameter space.

摘要

本实验采用光学运动捕捉系统和琴弓上的传感器,对四位小提琴和中提琴演奏者的运弓表现进行了测量。这些测量结果可以对主要运弓参数(弓速、弓力和琴弓与琴马之间的距离)的使用和协调进行详细分析。本研究分析了演奏者在演奏三个时长(0.2、2 和 4 秒)和三个力度(pp、mf 和 f)的三个音符时的分弓演奏策略,重点关注音符的“稳定”部分。研究结果表明,在不同的任务约束下,运弓参数的协调变化存在明显的趋势,反映出共同的行为模式以及个体的演奏策略。此外,研究结果还明确表明,演奏者会根据弦和乐器的物理特性来调整运弓参数,尊重可演奏控制参数空间的限制。

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