Vurma Allan
Department of Musicology, Estonian Academy of Music and Theatre, Rävala 16, 10143 Tallinn, Estonia.
Logoped Phoniatr Vocol. 2010 Apr;35(1):24-33. doi: 10.3109/14015430903581591.
This research describes the strategy of singers in reacting to the pitch deviation from equally tempered (ET) value in their ensemble partner's part in singing two-part a cappella music, and the ability of professional musicians to identify such deviations. Professional singers preferred to maintain the purity of melodic intervals in their own part and to ignore the occurring harmonic mistuning with their deviating ensemble partner. In multi-part singing, the musical interval perception ability of the singers is more finely honed for production than it is for perception, which can be explained by the enhancing effect of the memory of how to vocally produce the intervals, available only in the process of singing.
本研究描述了歌手在演唱无伴奏二重唱音乐时，对合奏伙伴部分偏离平均律（ET）值的音高做出反应的策略，以及专业音乐家识别此类偏差的能力。专业歌手更倾向于保持自己声部旋律音程的纯净度，而忽略与合奏伙伴的偏差所产生的和声失谐。在多声部演唱中，歌手的音程感知能力在发声方面比在感知方面磨练得更精细，这可以通过仅在演唱过程中可用的关于如何发声产生音程的记忆的增强效应来解释。
