Pazzagli Adolfo, Rossi Monti Mario
University of Florence, Italy.
Psychoanal Q. 2010 Jul;79(3):731-52. doi: 10.1002/j.2167-4086.2010.tb00464.x.
The authors explore the psychic passages that were opened up within a patient, Ada, thanks to her contact with two works of art, Signorelli's frescoes in Orvieto and Picasso's painting La Nageuse--their themes, formal structures, and the conventions governing their creation. A work of art can be considered as a kind of window that allows one to look upon the imaginary world created by the artist. One can peer out of this window from the other side, permitting a look at the viewer (the patient), who is caught in a web of associations that are yet to be explored.
作者探究了患者艾达内心开启的心理通道,这得益于她接触的两件艺术品,即奥尔维耶托的西诺雷利壁画和毕加索的画作《浴女》——它们的主题、形式结构以及创作遵循的惯例。一件艺术品可被视为一种窗口,能让人审视艺术家创造的想象世界。人们可以从另一侧透过这扇窗窥视,得以看到陷入有待探索的联想网络中的观者(患者)。