Kahn Didier
CNRS, Paris, France.
Ambix. 2010 Nov;57(3):249-74. doi: 10.1179/174582310X12849808295788.
This article provides a preliminary description of medieval and early modern alchemical poetry composed in Latin and in the principal vernacular languages of western Europe. It aims to distinguish the various genres in which this poetry flourished, and to identify the most representative aspects of each cultural epoch by considering the medieval and early modern periods in turn. Such a distinction (always somewhat artificial) between two broad historical periods may be justified by the appearance of new cultural phenomena that profoundly modified the character of early modern alchemical poetry: the ever-increasing importance of the prisca theologia, the alchemical interpretation of ancient mythology, and the rise of neo-Latin humanist poetry. Although early modern alchemy was marked by the appearance of new doctrines (notably the alchemical spiritus mundi and Paracelsianism), alchemical poetry was only superficially modified by criteria of a scientific nature, which therefore appear to be of lesser importance. This study falls into two parts. Part I provides a descriptive survey of extant poetry, and in Part II the results of the survey are analysed in order to highlight such distinctive features as the function of alchemical poetry, the influence of the book market on its evolution, its doctrinal content, and the question of whether any theory of alchemical poetry ever emerged. Part II is accompanied by an index of the authors and works cited in both parts.
本文对用拉丁文及西欧主要方言创作的中世纪和近代早期炼金术诗歌进行了初步描述。其目的是区分这种诗歌蓬勃发展的各种体裁,并通过依次考察中世纪和近代早期,来确定每个文化时代最具代表性的方面。两个广泛历史时期之间的这种区分(总是有些人为),可以通过深刻改变近代早期炼金术诗歌特征的新文化现象的出现来证明其合理性:prisca theologia的重要性不断增加、对古代神话的炼金术解释以及新拉丁人文主义诗歌的兴起。尽管近代早期炼金术以新学说(特别是炼金术的世界精神和帕拉塞尔苏斯主义)的出现为标志,但炼金术诗歌只是在表面上受到科学性质标准的影响,因此这些标准似乎不太重要。本研究分为两部分。第一部分对现存诗歌进行了描述性概述,第二部分对概述结果进行了分析,以突出炼金术诗歌的功能、书籍市场对其演变的影响、其教义内容以及是否曾出现过炼金术诗歌理论等独特特征。第二部分附有两部分中引用的作者和作品索引。