Department of Physical Therapy, National Cheng Kung University, Tainan, Taiwan.
J Sports Sci. 2012;30(7):689-97. doi: 10.1080/02640414.2012.663097. Epub 2012 Feb 22.
Large impact loading with abnormal muscle activity and motion patterns may contribute to lower extremity injuries in ballet dancers. Yet, few studies investigated the influence of injury on the ballet movement. The purpose of this study was to find the neuromuscular and biomechanical characteristics in dancers with and without ankle injury during a jump-landing Sissonne Fermée task. Twenty-two ballet dancers were recruited and divided into the injured group (n = 11) and the uninjured group (n = 11). They performed a ballet movement called "Sissonne Fermée" with reflective markers and electrodes attached to their lower extremities. Ground reaction force, joint kinematics, and muscle activity were measured. The injured dancers had greater peak ankle eversion but smaller hindfoot-to-tibial eversion angles. Also, the injured dancers had greater activity of the hamstring of the dominant leg and tibialis anterior of the non-dominant leg during the pre-landing phase. The injured dancers had greater tibialis anterior activity of the dominant leg but less muscle activity in the medial gastrocnemius of the non-dominant leg during the post-landing phase. The injured dancers had a greater co-contraction index in the non-dominant ankle and a lower loading rate. The higher co-contraction indices showed that the injured dancers required more muscle effort to control ankle stability. Furthermore, the injured dancers used a "load avoidance strategy" to protect themselves from re-injury. Neuromuscular control training of the ankle joint for ballet dancers to prevent injury is necessary.
大的冲击负荷伴随着异常的肌肉活动和运动模式可能导致芭蕾舞演员下肢受伤。然而,很少有研究调查受伤对芭蕾舞运动的影响。本研究的目的是在跳落地闭式桑普森任务中寻找有和没有踝关节损伤的舞者的神经肌肉和生物力学特征。招募了 22 名芭蕾舞演员,并将他们分为受伤组(n = 11)和未受伤组(n = 11)。他们在下肢附着反射标记和电极的情况下进行了一种名为“闭式桑普森”的芭蕾舞动作。测量了地面反作用力、关节运动学和肌肉活动。受伤舞者的踝关节外翻峰值更大,但后足与胫骨外翻角度更小。此外,受伤舞者在预着陆阶段,其优势腿的腘绳肌和非优势腿的胫骨前肌活动更大。受伤舞者在着陆后阶段,其优势腿的胫骨前肌活动更大,但非优势腿的内侧腓肠肌的肌肉活动更少。受伤舞者的非优势踝关节的共同收缩指数更大,加载率更低。更高的共同收缩指数表明,受伤舞者需要更多的肌肉努力来控制踝关节稳定性。此外,受伤舞者使用了一种“负荷避免策略”来保护自己免受再次受伤。有必要对芭蕾舞演员的踝关节进行神经肌肉控制训练,以预防受伤。