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平衡之举:描绘长十八世纪的汗水

Balancing acts: Picturing perspiration in the long eighteenth century.

作者信息

Dacome Lucia

机构信息

Institute for the History and Philosophy of Science and Technology, Victoria College, University of Toronto, 91 Charles Street West, Toronto, ON, Canada M5S 1K7.

出版信息

Stud Hist Philos Biol Biomed Sci. 2012 Jun;43(2):379-91. doi: 10.1016/j.shpsc.2011.10.030. Epub 2011 Nov 30.

Abstract

This essay examines the historical fortunes of an image that throughout the seventeenth and eighteenth centuries became a landmark of the medical doctrine and practice of static medicine advanced by the physician Santorio Santorio (1561-1636). The image depicted a man sitting on a large Roman steelyard, which allowed the weighing of bodily discharges and gave guidance on the intake of food. Well into the eighteenth century, the image of the weight-watching man accompanied Santorio's work on the art of static medicine and, most likely, contributed to its success. It appeared in a variety of medical works and navigated across competing medical theories and different medical genres, while remaining largely unscathed. This essay explores the success and the historical agency of this image. Focusing on the history of its copies and variants, it investigates how the image came to symbolize the attempt to transform dietetics into an experimental practice, and accordingly preserve its pivotal significance in the medical world.

摘要

本文探讨了一幅图像在历史上的命运。在17世纪和18世纪,这幅图像成为了由医生桑托里奥·桑托里奥(1561 - 1636)提出的静态医学的医学理论与实践的一个里程碑。图像描绘了一个人坐在一个大型罗马秤上,这个秤可以称量身体排泄物,并指导食物摄入量。直到18世纪,这个关注体重的人的图像一直伴随着桑托里奥关于静态医学艺术的著作,并且很可能促成了其著作的成功。它出现在各种医学著作中,穿梭于相互竞争的医学理论和不同的医学体裁之间,却基本未受影响。本文探讨了这幅图像的成功及其历史作用。通过关注其复制品和变体的历史,研究这幅图像是如何成为将饮食学转变为一种实验性实践的象征的,并因此在医学界保持其关键意义。

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