Kleindienst H
Institut für Anatomie und Zellbiologie, Philipps-Universität Marburg, BRD.
Anat Anz. 1990;171(2):147-52.
The Semmelweis-Museum in Budapest, Hungary, has a small collection of anatomical wax models. Studying the correspondence of the Austrian emperor Joseph II., then King of Hungary with representatives of the Hungarian administration, we were able to find out the origin of these models, their transportation to Hungary and their large significance in anatomical teaching at the end of the 18th century in Hungary. These models are the result of a long-lasting cooperation between artists and anatomists, particularly in Italy. Their artistic climax is reached during the second term of the 18th century, reflecting the complex interaction of contemporary sociocultural trends i.e. popularization of results of scientific research, traits of enlightenment combined with an artistic hyperidealistic typization as known from classical antiquity and sponsored financially as a means of imperial representation. The aim of the study was to point to the eminent importance of this collection as a monument of cultural heritage.
匈牙利布达佩斯的塞麦尔维斯博物馆收藏了一小批解剖学蜡像模型。通过研究奥地利皇帝约瑟夫二世(当时的匈牙利国王)与匈牙利行政部门代表之间的通信,我们得以查明这些模型的来源、它们运往匈牙利的过程以及它们在18世纪末匈牙利解剖学教学中的重大意义。这些模型是艺术家和解剖学家长期合作的成果,尤其是在意大利。它们在18世纪的第二个时期达到了艺术巅峰,反映了当代社会文化潮流的复杂相互作用,即科研成果的普及、启蒙运动的特质与古典古代已知的艺术超理想主义典型化相结合,并作为帝国代表的一种手段获得财政资助。该研究的目的是指出这一收藏作为文化遗产丰碑的卓越重要性。