Functional Imaging Unit, Center for Diagnostic Radiology and Neuroradiology, University of Greifswald, Greifswald, Germany.
Behav Brain Res. 2012 Jul 15;233(1):209-16. doi: 10.1016/j.bbr.2012.05.009. Epub 2012 May 15.
Neural processes for naturalistic drawing might be discerned into object recognition and analysis, attention processes guiding eye hand interaction, encoding of visual features in an allocentric reference frame, a transfer into the motor command and precise motor guidance with tight sensorimotor feedback. Cerebral representations in a real life paradigm during naturalistic drawing have sparsely been investigated. Using a functional Magnetic Resonance Imaging (fMRI) paradigm we measured 20 naive subjects during drawing a portrait from a frontal face presented as a photograph. Participants were asked to draw the portrait in either a naturalistic or a sketchy characteristic way. Tracing the contours of the face with a pencil or passive viewing of the face served as control conditions. Compared to passive viewing, naturalistic and sketchy drawing recruited predominantly the dorsal visual pathway, somatosensory and motor areas and bilateral BA 44. The right occipital lobe, middle temporal (MT) and the fusiform face area were increasingly active during drawing compared to passive viewing as well. Compared to tracing with a pencil, both drawing tasks increasingly involved the bilateral precuneus together with the cuneus and right inferior temporal lobe. Overall, our study identified cerebral areas characteristic for previously proposed aspects of drawing: face perception and analysis (fusiform gyrus and higher visual areas), encoding and retrieval of locations in an allocentric reference frame (precuneus), and continuous feedback processes during motor output (parietal sulcus, cerebellar hemisphere).
自然主义绘画的神经过程可以被分解为物体识别和分析、引导眼手相互作用的注意过程、在以自我为中心的参考系中对视觉特征的编码、转化为运动指令以及具有紧密感觉运动反馈的精确运动指导。在自然主义绘画的真实生活范式中,大脑的表现形式很少被研究过。我们使用功能磁共振成像(fMRI)范式测量了 20 名未经训练的受试者在从照片中描绘正面人脸时的大脑活动。要求参与者以自然主义或草图的方式描绘肖像。用铅笔追踪面部轮廓或被动观察面部作为对照条件。与被动观察相比,自然主义和草图绘画主要招募了背侧视觉通路、体感和运动区域以及双侧 BA44。与被动观察相比,在绘制过程中,右侧枕叶、颞中(MT)和梭状回面部区也变得更加活跃。与用铅笔追踪相比,这两种绘图任务都越来越多地涉及双侧顶下小叶,以及楔前叶和右侧下颞叶。总的来说,我们的研究确定了大脑区域是以前提出的绘画方面的特征:面部感知和分析(梭状回和更高的视觉区域)、在以自我为中心的参考系中对位置的编码和检索(顶下小叶)以及运动输出过程中的连续反馈过程(顶叶沟、小脑半球)。