Department of Speech, Language, and Hearing Sciences, University of Florida, Gainesville, Florida 32610, USA.
Ear Hear. 2012 Nov-Dec;33(6):e44-58. doi: 10.1097/AUD.0b013e31825f9d89.
One of the challenges for evaluating new otoprotective agents for potential benefit in human populations is the availability of an established clinical paradigm with real-world relevance. These studies were explicitly designed to develop a real-world digital music exposure that reliably induces temporary threshold shift (TTS) in normal-hearing human subjects.
Thirty-three subjects participated in studies that measured effects of digital music player use on hearing. Subjects selected either rock or pop music, which was then presented at 93 to 95 (n = 10), 98 to 100 (n = 11), or 100 to 102 (n = 12) dBA in-ear exposure level for a period of 4 hr. Audiograms and distortion product otoacoustic emissions (DPOAEs) were measured before and after music exposure. Postmusic tests were initiated 15 min, 1 hr 15 min, 2 hr 15 min, and 3 hr 15 min after the exposure ended. Additional tests were conducted the following day and 1 week later.
Changes in thresholds after the lowest-level exposure were difficult to distinguish from test-retest variability; however, TTS was reliably detected after higher levels of sound exposure. Changes in audiometric thresholds had a "notch" configuration, with the largest changes observed at 4 kHz (mean = 6.3 ± 3.9 dB; range = 0-14 dB). Recovery was largely complete within the first 4 hr postexposure, and all subjects showed complete recovery of both thresholds and DPOAE measures when tested 1 week postexposure.
These data provide insight into the variability of TTS induced by music-player use in a healthy, normal-hearing, young adult population, with music playlist, level, and duration carefully controlled. These data confirm the likelihood of temporary changes in auditory function after digital music-player use. Such data are essential for the development of a human clinical trial protocol that provides a highly powered design for evaluating novel therapeutics in human clinical trials. Care must be taken to fully inform potential subjects in future TTS studies, including protective agent evaluations, that some noise exposures have resulted in neural degeneration in animal models, even when both audiometric thresholds and DPOAE levels returned to pre-exposure values.
评估新的耳保护剂对人类潜在益处的一个挑战是是否存在具有现实意义的既定临床范例。这些研究专门旨在开发一种真实世界的数字音乐暴露,该暴露能可靠地在正常听力的人体受试者中引起暂时阈移(TTS)。
33 名受试者参与了研究,这些研究测量了数字音乐播放器使用对听力的影响。受试者选择摇滚或流行音乐,然后以 93 至 95(n=10)、98 至 100(n=11)或 100 至 102(n=12)dB 的入耳暴露水平播放 4 小时。在音乐暴露前后测量听力图和畸变产物耳声发射(DPOAE)。音乐暴露结束后 15 分钟、1 小时 15 分钟、2 小时 15 分钟和 3 小时 15 分钟开始进行postmusic 测试。第二天和一周后进行额外的测试。
最低水平暴露后的阈值变化难以与测试-再测试的变异性区分开来;然而,在更高水平的声音暴露后,TTS 被可靠地检测到。听力图阈值的变化呈“缺口”配置,在 4 kHz 处观察到最大的变化(平均值=6.3±3.9 dB;范围=0-14 dB)。暴露后 4 小时内恢复基本完全,所有受试者在暴露后一周测试时,阈值和 DPOAE 测量均完全恢复。
这些数据提供了关于音乐播放器在健康、正常听力的年轻成年人群中使用引起的 TTS 变异性的见解,音乐播放列表、水平和持续时间都经过仔细控制。这些数据证实了数字音乐播放器使用后听觉功能暂时变化的可能性。对于开发评估人类临床试验中新型治疗方法的人类临床试验协议,这些数据是必不可少的。在未来的 TTS 研究中,包括保护剂评估,必须谨慎地告知潜在受试者,一些噪声暴露已导致动物模型中的神经退行性变,即使听力阈值和 DPOAE 水平都恢复到暴露前值。