Pretreatment strategies for SERS analysis of indigo and Prussian blue in aged painted surfaces.

Surface-enhanced Raman scattering (SERS) spectroscopy is increasingly applied to the identification of organic colorants in cultural heritage objects because vibrational fingerprints can be measured from microscopic samples. However, the development of SERS into a reliable, broad-spectrum method for art analysis requires the study of a wide variety of organic and inorganic colorants as well as colorant mixtures in paint. Here, we demonstrate reliable protocols for SERS-based identification of insoluble indigo, Prussian blue (PB), and mixtures thereof in aged painted surfaces. The use of simple salts and acids for sample pretreatment is evaluated. High-quality SERS spectra of PB and indigo are elucidated upon sample pretreatment with H(2)SO(4). In several cases, SERS spectra of the colorants could not be obtained without sample pretreatment. We demonstrate the use of H(2)SO(4) to solubilize PB as well as perform an in situ conversion of insoluble indigo to soluble indigo carmine (IC) on indigo, indigo oil paint, and actual samples from historic painted surfaces. A microscopic H(2)SO(4)-treated sample from the Portrait of Evelyn Byrd produced a SERS spectrum that is consistent with a mixture of PB and IC. To our knowledge, this work represents the first SERS spectrum of indigo in oil paint and the first simultaneous detection of a mixture of blue organic and inorganic colorants in a single art sample using SERS.