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[威廉·霍加斯的版画《啤酒街》和《杜松子酒巷》以及约翰·卫斯理作品中所描绘的饮酒情况:异同]

[Alcohol consumption as portrayed in William Hogarth's prints Beer Street and Gin Lane and in the works of John Wesley: similarities and differences].

作者信息

Renders Helmut

机构信息

Programa de Pós-graduação em Ciências de Religião, Faculdade de Teologia, Universidade Metodista de São Paulo, São Bernardo do Campo, SP, Brasil, 09640-000,

出版信息

Hist Cienc Saude Manguinhos. 2012 Dec;19(4):1191-218. doi: 10.1590/s0104-59702012000400006.

Abstract

The article compares William Hogarth's Gin Lane and Beer Street with texts by his contemporary John Wesley, spiritus rector of the Methodist movement. Although Hogarth had portrayed the Methodist religious movement in some of his prints as dangerously enthusiastic, both men defended a similar agenda concerning alcohol consumption. The similarities in their two ways of understanding the issue can be explained by culturally established customs, while distinct social outlooks can account for their differences.

摘要

这篇文章将威廉·贺加斯的《杜松子酒巷》和《啤酒街》与他同时代的卫理公会运动领袖约翰·卫斯理的文本进行了比较。尽管贺加斯在他的一些版画中把卫理公会宗教运动描绘成危险的狂热,但两人在酒精消费问题上捍卫了相似的议程。他们对这个问题的两种理解方式中的相似之处可以用文化上既定的习俗来解释,而不同的社会观点则可以解释他们的差异。

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