Jakubowski Kelly, Müllensiefen Daniel
Department of Psychology, Goldsmiths, University of London, London, UK.
Q J Exp Psychol (Hove). 2013;66(7):1259-67. doi: 10.1080/17470218.2013.803136. Epub 2013 Jun 12.
Levitin's findings that nonmusicians could produce from memory the absolute pitches of self-selected pop songs have been widely cited in the music psychology literature. These findings suggest that latent absolute pitch (AP) memory may be a more widespread trait within the population than traditional AP labelling ability. However, it has been left unclear what factors may facilitate absolute pitch retention for familiar pieces of music. The aim of the present paper was to investigate factors that may contribute to latent AP memory using Levitin's sung production paradigm for AP memory and comparing results to the outcomes of a pitch labelling task, a relative pitch memory test, measures of music-induced emotions, and various measures of participants' musical backgrounds. Our results suggest that relative pitch memory and the quality and degree of music-elicited emotions impact on latent AP memory.
莱维廷的研究发现,非音乐家能够凭记忆唱出自己选择的流行歌曲的绝对音高,这一发现已在音乐心理学文献中被广泛引用。这些发现表明,潜在的绝对音高(AP)记忆在人群中可能比传统的绝对音高标记能力更为普遍。然而,目前尚不清楚哪些因素可能有助于对熟悉的音乐片段保持绝对音高。本文的目的是利用莱维廷用于绝对音高记忆的演唱生成范式,研究可能有助于潜在绝对音高记忆的因素,并将结果与音高标记任务、相对音高记忆测试、音乐引发的情绪测量以及参与者音乐背景的各种测量结果进行比较。我们的结果表明,相对音高记忆以及音乐引发的情绪的质量和程度会影响潜在的绝对音高记忆。