Audiovisual Communications Laboratory, Ecole Polytechnique Fédérale de Lausanne, CH-1015 Lausanne, Switzerland.
J Acoust Soc Am. 2013 Aug;134(2):EL158-64. doi: 10.1121/1.4812447.
In performing arts venues, the spectra of direct and reflected sound at a receiving location differ, due to seat dip effect, diffusive and absorptive surfaces, and source directivity. This paper examines the influence of differing lead and lag spectral contents on echo suppression threshold. The results indicate, that for a highpass filtered direct sound and a broadband reflection, attenuation of low frequencies initially results in an increase in echo suppression threshold, while for higher cutoff frequencies echo suppression threshold drastically decreases. For broadband direct sound and filtered reflections, the echo suppression threshold is inversely related to high frequency content.
在表演艺术场馆中,由于座位凹陷效应、漫反射和吸声表面以及声源指向性的原因,接收位置的直达声和反射声的频谱会有所不同。本文研究了不同的领先和滞后频谱含量对回声抑制阈值的影响。结果表明,对于高通滤波的直达声和宽带反射声,低频衰减最初会导致回声抑制阈值增加,而对于较高的截止频率,回声抑制阈值会急剧下降。对于宽带直达声和滤波反射声,回声抑制阈值与高频内容成反比。