Department of Psychiatry and Behavioral Sciences, Miller School of Medicine, University of Miami, USA.
Psychiatry. 2013 Fall;76(3):187-202. doi: 10.1521/psyc.2013.76.3.187.
This paper examines the relationship between two extraordinary artists, father and son--N.C. Wyeth (1882-1945) and Andrew Wyeth (1917-2009)--and their art. N.C. Wyeth, the father, the most famous illustrator of his day, painted scenes full of drama and action, often of men engaged in violent life and death struggles. N.C. was unable to separate from his powerful mother and yearned for his iconic father. He thought himself an artistic failure and dedicated himself to raising his children to be geniuses. The youngest son, Andrew Wyeth, who lived a "secret life," painted scenes often characterized by pathos: bleak and barren landscapes, leaden skies, tire tracks, gray framed houses, desiccated fields, and circling buzzards. In the father-son relationship, we often seen three themes perpetuated developmentally: (1) the son's identification with the innermost conflicts of his father; (2) the yearning for the iconic father of his youth; and (3) a continuation and disavowal of his father's life. These themes are played out in the relationship between Andrew Wyeth and his father.
本文探讨了两位非凡艺术家——父子俩 N.C.怀斯(1882-1945 年)和安德鲁·怀斯(1917-2009 年)——及其艺术之间的关系。N.C.怀斯,这位当时最著名的插画家,画作充满了戏剧性和动作,常常描绘的是处于生死搏斗中的男人。N.C.无法与他强势的母亲分离,渴望他偶像般的父亲。他认为自己是一个失败的艺术家,并致力于将他的孩子们培养成天才。小儿子安德鲁·怀斯过着“秘密生活”,他的画作常常带有悲剧色彩:荒凉贫瘠的风景、阴沉的天空、车辙、灰色的框架房屋、干枯的田野和盘旋的秃鹫。在父子关系中,我们经常看到三个主题在发展中不断延续:(1)儿子认同父亲内心最深处的冲突;(2)对年轻时偶像般父亲的渴望;(3)对父亲生活的延续和否认。这些主题在安德鲁·怀斯和他父亲之间的关系中得到了体现。