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抽象艺术作品中的情感感知:一种多学科方法。

Perception of emotion in abstract artworks: a multidisciplinary approach.

机构信息

Center for Mind/Brain Sciences (CIMeC), University of Trento, Rovereto, Italy.

出版信息

Prog Brain Res. 2013;204:191-216. doi: 10.1016/B978-0-444-63287-6.00010-5.

Abstract

There is a long-standing and fundamental debate regarding how emotion can be expressed by fine art. Some artists and theorists have claimed that certain features of paintings, such as color, line, form, and composition, can consistently express an "objective" emotion, while others have argued that emotion perception is subjective and depends more on expertise of the observer. Here, we discuss two studies in which we have found evidence for consistency in observer ratings of emotion for abstract artworks. We have developed a stimulus set of abstract art images to test emotional priming, both between different painting images and between paintings and faces. The ratings were also used in a computational vision analysis of the visual features underlying emotion expression. Overall, these findings suggest that there is a strong bottom-up and objective aspect to perception of emotion in abstract artworks that may tap into basic visual mechanisms.

摘要

关于艺术如何表达情感,存在着长期而根本的争论。一些艺术家和理论家声称,绘画的某些特征,如颜色、线条、形状和构图,可以始终如一地表达一种“客观”的情感,而另一些人则认为情感感知是主观的,更多地取决于观察者的专业知识。在这里,我们讨论了两项研究,在这些研究中,我们发现了抽象艺术作品中观察者对情感的评价具有一致性的证据。我们开发了一个抽象艺术图像刺激集,以测试情感启动,包括不同绘画图像之间以及绘画和面孔之间的情感启动。这些评价也被用于对情感表达的视觉特征进行计算视觉分析。总的来说,这些发现表明,在抽象艺术作品中,对情感的感知存在强烈的、客观的、自下而上的方面,这可能涉及到基本的视觉机制。

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