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愤怒是红色,悲伤是蓝色:艺术家和非艺术家的抽象视觉艺术中的情感描绘。

Anger is red, sadness is blue: Emotion depictions in abstract visual art by artists and non-artists.

机构信息

Department of Brain and Cognition, KU Leuven, Leuven, Belgium.

Department of Design, Kala Bhavana, Visva Bharati University, Shantiniketan, India.

出版信息

J Vis. 2023 Apr 3;23(4):1. doi: 10.1167/jov.23.4.1.

DOI:10.1167/jov.23.4.1
PMID:37010831
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC10080919/
Abstract

Through the manipulation of color and form, visual abstract art is often used to convey feelings and emotions. Here, we explored how colors and lines are used to express basic emotions and whether non-artists express emotions through art in similar ways as trained artists. Both artists and non-artists created abstract color drawings and line drawings depicting six emotions (i.e., anger, disgust, fear, joy, sadness, and wonder). To test whether people represented basic emotions in similar ways, we computationally predicted the emotion of a given drawing by comparing it to a set of references created by averaging across all other participants' drawings within each emotion category. We found that prediction accuracy was higher for color drawings than line drawings and higher for color drawings by non-artists than by artists. In a behavioral experiment, we found that people (N = 242) could also accurately infer emotions, showing the same pattern of results as our computational predictions. Further computational analyses of the drawings revealed systematic use of certain colors and line features to depict each basic emotion (e.g., anger is generally redder and more densely drawn than other emotions, sadness is more blue and contains more vertical lines). Taken together, these results imply that abstract color and line drawings are able to convey certain emotions based on their visual features, which are also used by human observers to understand the intended emotional connotation of abstract artworks.

摘要

通过对色彩和形式的操控,视觉抽象艺术常常被用来传达情感。在这里,我们探讨了色彩和线条如何被用来表达基本情感,以及非艺术家是否会以与训练有素的艺术家类似的方式通过艺术来表达情感。艺术家和非艺术家都创作了描绘六种情感(即愤怒、厌恶、恐惧、喜悦、悲伤和惊奇)的抽象彩色绘画和线条画。为了测试人们是否以相似的方式来表现基本情感,我们通过将给定的画作与每个情感类别中所有其他参与者的画作的平均值进行比较,来计算预测该画作的情感。我们发现,彩色画作的预测准确率高于线条画作,而非艺术家的彩色画作的预测准确率高于艺术家的彩色画作。在一项行为实验中,我们发现(N=242)人们也可以准确地推断出情感,其结果与我们的计算预测一致。对画作的进一步计算分析揭示了人们系统地使用某些颜色和线条特征来描绘每种基本情感(例如,愤怒通常比其他情感更红、更密集,悲伤更蓝且包含更多垂直线)。综上所述,这些结果表明,抽象的彩色和线条画能够通过其视觉特征来传达某些情感,而人类观察者也会使用这些特征来理解抽象艺术作品的情感内涵。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/c4314f98f795/jovi-23-4-1-f006.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/c9919991307c/jovi-23-4-1-f001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/98d76999bd69/jovi-23-4-1-f002.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/f85ef3cc7648/jovi-23-4-1-f003.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/a8ae97e84f21/jovi-23-4-1-f004.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/a1d86f7a95c6/jovi-23-4-1-f005.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/c4314f98f795/jovi-23-4-1-f006.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/c9919991307c/jovi-23-4-1-f001.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/98d76999bd69/jovi-23-4-1-f002.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/f85ef3cc7648/jovi-23-4-1-f003.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/a8ae97e84f21/jovi-23-4-1-f004.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/a1d86f7a95c6/jovi-23-4-1-f005.jpg
https://cdn.ncbi.nlm.nih.gov/pmc/blobs/746d/10080919/c4314f98f795/jovi-23-4-1-f006.jpg

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