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失歌症并不意味着五音不全:尽管不识谱,却能感知节拍和进行同步能力。

Amusic does not mean unmusical: beat perception and synchronization ability despite pitch deafness.

机构信息

a International Laboratory for Brain , Music and Sound Research (BRAMS), University of Montreal , Montreal , QC , Canada.

出版信息

Cogn Neuropsychol. 2013;30(5):311-31. doi: 10.1080/02643294.2013.863183.

Abstract

Pitch deafness, the most commonly known form of congenital amusia, refers to a severe deficit in musical pitch processing (i.e., melody discrimination and recognition) that can leave time processing--including rhythm, metre, and "feeling the beat"--preserved. In Experiment 1, we show that by presenting musical excerpts in nonpitched drum timbres, rather than pitched piano tones, amusics show normal metre recognition. Experiment 2 reveals that body movement influences amusics' interpretation of the beat of an ambiguous drum rhythm. Experiment 3 and a subsequent exploratory study show an ability to synchronize movement to the beat of popular dance music and potential for improvement when given a modest amount of practice. Together the present results are consistent with the idea that rhythm and beat processing are spared in pitch deafness--that is, being pitch-deaf does not mean one is beat-deaf. In the context of drum music especially, amusics can be musical.

摘要

失歌症,即最常见的先天性音乐障碍,是指严重缺乏音乐音高处理能力(即旋律辨别和识别),但时间处理(包括节奏、韵律和“感受节奏”)能力得以保留。在实验 1 中,我们表明,通过以非音高鼓音色而不是音高钢琴音呈现音乐片段,失歌症患者的韵律识别正常。实验 2 揭示了身体运动影响失歌症患者对节奏不明确的鼓节奏的节拍解释。实验 3 和随后的探索性研究表明,失歌症患者能够跟随流行舞曲的节奏进行身体运动同步,并且在进行适度的练习时,这种能力有提高的可能。总之,目前的结果一致表明,在失歌症中,节奏和节拍处理是保留的——也就是说,失歌症并不意味着节奏感丧失。特别是在鼓乐的背景下,失歌症患者也可以是有音乐感的。

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