Fernandez Natalia B, Vuilleumier Patrik, Gosselin Nathalie, Peretz Isabelle
Laboratory of Behavioral Neurology and Imaging of Cognition, Department of Fundamental Neuroscience, University of Geneva, Geneva, Switzerland.
Swiss Center of Affective Sciences, Department of Psychology, University of Geneva, Geneva, Switzerland.
Front Hum Neurosci. 2021 Jan 25;14:566841. doi: 10.3389/fnhum.2020.566841. eCollection 2020.
Congenital amusia in its most common form is a disorder characterized by a musical pitch processing deficit. Although pitch is involved in conveying emotion in music, the implications for pitch deficits on musical emotion judgements is still under debate. Relatedly, both limited and spared musical emotion recognition was reported in amusia in conditions where emotion cues were not determined by musical mode or dissonance. Additionally, assumed links between musical abilities and visuo-spatial attention processes need further investigation in congenital amusics. Hence, we here test to what extent musical emotions can influence attentional performance. Fifteen congenital amusic adults and fifteen healthy controls matched for age and education were assessed in three attentional conditions: executive control (distractor inhibition), alerting, and orienting (spatial shift) while music expressing either joy, tenderness, sadness, or tension was presented. Visual target detection was in the normal range for both accuracy and response times in the amusic relative to the control participants. Moreover, in both groups, music exposure produced facilitating effects on selective attention that appeared to be driven by the arousal dimension of musical emotional content, with faster correct target detection during joyful compared to sad music. These findings corroborate the idea that pitch processing deficits related to congenital amusia do not impede other cognitive domains, particularly visual attention. Furthermore, our study uncovers an intact influence of music and its emotional content on the attentional abilities of amusic individuals. The results highlight the domain-selectivity of the pitch disorder in congenital amusia, which largely spares the development of visual attention and affective systems.
先天性失歌症最常见的形式是一种以音高处理缺陷为特征的障碍。尽管音高在音乐情感表达中起作用,但音高缺陷对音乐情感判断的影响仍存在争议。相关地,在情感线索不由音乐模式或不和谐决定的情况下,失歌症患者的音乐情感识别能力既有受限的情况,也有未受影响的情况。此外,音乐能力与视觉空间注意力过程之间假定的联系在先天性失歌症患者中需要进一步研究。因此,我们在此测试音乐情感能在多大程度上影响注意力表现。15名先天性失歌症成年患者和15名年龄及教育程度匹配的健康对照者在三种注意力条件下接受评估:执行控制(干扰抑制)、警觉和定向(空间转移),同时播放表达喜悦、温柔、悲伤或紧张的音乐。相对于对照参与者,失歌症患者的视觉目标检测在准确性和反应时间方面都处于正常范围。此外,在两组中,接触音乐对选择性注意力产生了促进作用,这似乎是由音乐情感内容的唤醒维度驱动的,与悲伤音乐相比,在播放喜悦音乐时正确目标检测更快。这些发现证实了与先天性失歌症相关的音高处理缺陷不会妨碍其他认知领域,特别是视觉注意力的观点。此外,我们的研究揭示了音乐及其情感内容对失歌症个体注意力能力的完整影响。结果突出了先天性失歌症中音调障碍的领域选择性,这种障碍在很大程度上不会影响视觉注意力和情感系统的发展。