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J. 马特伊科(1838 - 1893)艺术家调色板中黄色和赭色颜料的拉曼光谱特征。

Raman spectroscopic signatures of the yellow and ochre paints from artist palette of J. Matejko (1838-1893).

作者信息

Żmuda-Trzebiatowska Iwona, Wachowiak Mirosław, Klisińska-Kopacz Anna, Trykowski Grzegorz, Śliwiński Gerard

机构信息

Photophysics Dept, The Szewalski Institute, Polish Academy of Sciences, 14 Fiszera St, 80-231 Gdańsk, Poland.

Dept. of Conservation and Restoration of Modern and Contemporary Art, N. Copernicus University, 11 Gagarina St, 87-100 Toruń, Poland.

出版信息

Spectrochim Acta A Mol Biomol Spectrosc. 2015 Feb 5;136 Pt B:793-801. doi: 10.1016/j.saa.2014.09.096. Epub 2014 Oct 22.

Abstract

The Raman and complementary spectroscopic analyses were performed using the exceptional possibility of research on the XIX c. original paint materials of the artist palette of J. Matejko stored in the National Museum in Cracow. The yellow and ochre-based paints characteristic for Matejko's workshop and selected from the ensemble of 273 labelled tubes (brand of R. Ainé/Paris) supplied during the period of 1880-1893 were investigated. Highly specific Raman spectra were obtained for paints containing mixtures of the Zn- and Sn-modified Pb-Sb pigment, and also for the ochre-based ones. A clear pigment discrimination of the mixture of cadmium yellow (CdS), cinnabar (HgS) and lead white (2PbCO3⋅Pb(OH)2) was possible by means of Raman data collected under different excitations at 514 nm and 785 nm. It was shown that the Raman spectra complemented by the XRF, SEM-EDX and in some cases also by the LIPS and FTIR data ensure reliable pigment identification in multi-component paints containing secondary species and impurities. The reported spectral signatures will be used for non-destructive investigation of the collection of about 300 oil paintings of J. Matejko. In view of the comparative research on polish painting which point out that richness of modified Naples yellows clearly distinguish Matejko's artworks from other ones painted in the period of 1850-1883, the Raman data of these paints can provide support in the authentication studies.

摘要

利用对克拉科夫国家博物馆收藏的19世纪画家扬·马特伊科调色板上原始绘画材料进行研究的特殊可能性,进行了拉曼光谱和互补光谱分析。研究了从1880年至1893年期间提供的273支有标签的颜料管(R. Ainé/巴黎品牌)中挑选出的、具有马特伊科工作室特色的以黄色和赭石为基础的颜料。对于含有锌和锡改性铅锑颜料混合物的颜料以及赭石基颜料,获得了高度特异的拉曼光谱。通过在514纳米和785纳米不同激发下收集的拉曼数据,可以清晰地区分镉黄(CdS)、朱砂(HgS)和铅白(2PbCO3⋅Pb(OH)2)的混合物。结果表明,由X射线荧光光谱(XRF)、扫描电子显微镜-能谱仪(SEM-EDX)补充,在某些情况下还由激光诱导击穿光谱(LIPS)和傅里叶变换红外光谱(FTIR)数据补充的拉曼光谱,确保了在含有次生物种和杂质的多组分颜料中可靠地识别颜料。所报道的光谱特征将用于对约300幅扬·马特伊科油画藏品的无损研究。鉴于对波兰绘画的比较研究指出,改性那不勒斯黄的丰富性明显将马特伊科的作品与1850年至1883年期间绘制的其他作品区分开来,这些颜料的拉曼数据可为鉴定研究提供支持。

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