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本文引用的文献

1
Music and dance as a coalition signaling system.音乐和舞蹈作为一种联合信号系统。
Hum Nat. 2003 Mar;14(1):21-51. doi: 10.1007/s12110-003-1015-z.
2
Overtone-based pitch selection in hermit thrush song: unexpected convergence with scale construction in human music.隐士夜鸫歌声中基于泛音的音高选择:与人类音乐中音阶构建的意外趋同
Proc Natl Acad Sci U S A. 2014 Nov 18;111(46):16616-21. doi: 10.1073/pnas.1406023111. Epub 2014 Nov 3.
3
The harmonic organization of auditory cortex.听觉皮层的谐波组织。
Front Syst Neurosci. 2013 Dec 17;7:114. doi: 10.3389/fnsys.2013.00114.
4
Revisiting the innate preference for consonance.重新审视对和谐的固有偏好。
J Exp Psychol Hum Percept Perform. 2014 Feb;40(1):40-9. doi: 10.1037/a0033471. Epub 2013 Jul 1.
5
The basis of musical consonance as revealed by congenital amusia.先天性失歌症揭示的音乐协和基础。
Proc Natl Acad Sci U S A. 2012 Nov 27;109(48):19858-63. doi: 10.1073/pnas.1207989109. Epub 2012 Nov 12.
6
Chicks like consonant music.小鸡喜欢辅音音乐。
Psychol Sci. 2011 Oct;22(10):1270-3. doi: 10.1177/0956797611418244. Epub 2011 Sep 20.
7
Individual differences reveal the basis of consonance.个体差异揭示了协调的基础。
Curr Biol. 2010 Jun 8;20(11):1035-41. doi: 10.1016/j.cub.2010.04.019. Epub 2010 May 20.
8
A biological rationale for musical scales.音乐音阶的生物学原理。
PLoS One. 2009 Dec 3;4(12):e8144. doi: 10.1371/journal.pone.0008144.
9
Neural correlates of consonance, dissonance, and the hierarchy of musical pitch in the human brainstem.人类脑干中和谐、不和谐以及音高等级的神经关联。
J Neurosci. 2009 Oct 21;29(42):13165-71. doi: 10.1523/JNEUROSCI.3900-09.2009.
10
Tone deafness: a new disconnection syndrome?音盲:一种新的分离综合征?
J Neurosci. 2009 Aug 19;29(33):10215-20. doi: 10.1523/JNEUROSCI.1701-09.2009.

音乐和谐的生物学原理。

A biological rationale for musical consonance.

作者信息

Bowling Daniel L, Purves Dale

机构信息

Department of Cognitive Biology, University of Vienna, 1090 Vienna, Austria;

Duke Institute for Brain Sciences, Duke University, Durham, NC 27708

出版信息

Proc Natl Acad Sci U S A. 2015 Sep 8;112(36):11155-60. doi: 10.1073/pnas.1505768112. Epub 2015 Jul 24.

DOI:10.1073/pnas.1505768112
PMID:26209651
原文链接:https://pmc.ncbi.nlm.nih.gov/articles/PMC4568680/
Abstract

The basis of musical consonance has been debated for centuries without resolution. Three interpretations have been considered: (i) that consonance derives from the mathematical simplicity of small integer ratios; (ii) that consonance derives from the physical absence of interference between harmonic spectra; and (iii) that consonance derives from the advantages of recognizing biological vocalization and human vocalization in particular. Whereas the mathematical and physical explanations are at odds with the evidence that has now accumulated, biology provides a plausible explanation for this central issue in music and audition.

摘要

几个世纪以来,音乐和谐的基础一直存在争议,尚无定论。人们考虑过三种解释:(i)和谐源于小整数比的数学简单性;(ii)和谐源于谐波谱之间物理上不存在干扰;(iii)和谐源于识别生物发声,尤其是人类发声的优势。虽然数学和物理学解释与目前积累的证据不一致,但生物学为音乐和听觉中的这个核心问题提供了一个合理的解释。