Zeul M
Psyche (Stuttg). 1989 Oct;43(10):952-66.
Through the analysis of the pictures and of their sequences the author draws the staging of John Huston's "Freud"-film as moulding an unconscious oedipal phantasy. Enlightening and counter-enlightening tendencies of the film are pointed out.
通过对影片及其情节的分析，作者将约翰·休斯顿的《弗洛伊德》一片的情节安排描述为塑造了一种无意识的俄狄浦斯式幻想。文中指出了该影片的启发性和反启发性倾向。
