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“一切皆如镜花水月”:V.S. 拉马钱德兰与幻肢研究的物质文化

'It's All Done With Mirrors': V.S. Ramachandran and the Material Culture of Phantom Limb Research.

作者信息

Guenther Katja

出版信息

Med Hist. 2016 Jul;60(3):342-58. doi: 10.1017/mdh.2016.27.

Abstract

This article examines the material culture of neuroscientist Vilayanur S. Ramachandran's research into phantom limbs. In the 1990s Ramachandran used a 'mirror box' to 'resurrect' phantom limbs and thus to treat the pain that often accompanied them. The experimental success of his mirror therapy led Ramachandran to see mirrors as a useful model of brain function, a tendency that explains his attraction to work on 'mirror neurons'. I argue that Ramachandran's fascination with and repeated appeal to the mirror can be explained by the way it allowed him to confront a perennial problem in the mind and brain sciences, that of the relationship between a supposedly immaterial mind and a material brain. By producing what Ramachandran called a 'virtual reality', relating in varied and complex ways to the material world, the mirror reproduced a form of psycho-physical parallelism and dualistic ontology, while conforming to the materialist norms of neuroscience today.

摘要

本文探讨了神经科学家维莱亚努尔·S·拉马钱德兰对幻肢研究的物质文化。在20世纪90年代,拉马钱德兰使用“镜像箱”来“复活”幻肢,从而治疗常常伴随幻肢出现的疼痛。他的镜像疗法在实验上的成功,使拉马钱德兰将镜子视为大脑功能的一个有用模型,这种倾向解释了他对“镜像神经元”研究的兴趣。我认为,拉马钱德兰对镜子的痴迷以及反复提及镜子,可以通过镜子让他直面心智与脑科学中一个长期存在的问题来解释,即所谓非物质的心智与物质的大脑之间的关系问题。通过创造拉马钱德兰所称的“虚拟现实”,镜子以多样而复杂的方式与物质世界相关联,再现了一种心身平行论和二元本体论的形式,同时又符合当今神经科学的唯物主义规范。

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