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以色列耶斯列谷伊因卡希什南部一批独特的雕刻饰板组合:黎凡特晚更新世狩猎采集者的具象与抽象符号

A Unique Assemblage of Engraved Plaquettes from Ein Qashish South, Jezreel Valley, Israel: Figurative and Non-Figurative Symbols of Late Pleistocene Hunters-Gatherers in the Levant.

作者信息

Yaroshevich Alla, Bar-Yosef Ofer, Boaretto Elisabeta, Caracuta Valentina, Greenbaum Noam, Porat Naomi, Roskin Joel

机构信息

Israel Antiquities Authority, Jerusalem, Israel.

Harvard University, Department of Anthropology, Peabody Museum of Archeology and Ethnology, Cambridge, Massachusetts, United States of America.

出版信息

PLoS One. 2016 Aug 24;11(8):e0160687. doi: 10.1371/journal.pone.0160687. eCollection 2016.

Abstract

Three engraved limestone plaquettes from the recently excavated Epipaleolithic open-air site Ein Qashish South in the Jezreel Valley, Israel comprise unique evidence for symbolic behavior of Late Pleistocene foragers in the Levant. The engravings, uncovered in Kebaran and Geometric Kebaran deposits (ca. 23ka and ca. 16.5ka BP), include the image of a bird-the first figurative representation known so far from a pre-Natufian Epipaleolithic-along with geometric motifs such as chevrons, crosshatchings and ladders. Some of the engravings closely resemble roughly contemporary European finds interpreted as "systems of notations" or "artificial memory systems"-records related to timing of seasonal resources and associated aggregation events of nomadic groups. Moreover, similarly looking signs and patterns are well known from the context of the local Natufian-a final Epipaleolithic culture of sedentary or semi-sedentary foragers who started practicing agriculture. The investigation of the engravings found in Ein Qashish South involves conceptualizations developed in studies of European and local parallels, a selection of ethnographic examples and preliminary microscopic observations of the plaquettes. This shows that the figurative and non-figurative images comprise a coherent assemblage of symbols that might have been applied in order to store, share and transmit information related to social and subsistence realms of mobile bands. It further suggests that the site functioned as a locality of groups' aggregation and indicates social complexity of pre-Natufian foragers in the Levant. While alterations in social and subsistence strategies can explain the varying frequency of image use characterizing different areas of the Late Pleistocene world-the apparent similarity in graphics and the mode of their application support the possibility that symbol-mediated behavior has a common and much earlier origin.

摘要

最近在以色列耶斯列谷发掘的旧石器时代晚期露天遗址艾因卡希什南部出土的三块雕刻石灰岩饰板,为黎凡特晚更新世觅食者的象征行为提供了独特证据。这些雕刻发现于凯巴拉文化层和几何凯巴拉文化层(约公元前23000年和公元前16500年),其中包括一只鸟的图像——这是迄今为止已知的前纳图夫旧石器时代晚期的首个具象表现——以及诸如人字形、交叉线和梯子等几何图案。一些雕刻与大致同时期的欧洲发现非常相似,那些发现被解释为“符号系统”或“人工记忆系统”——与季节性资源的时间安排以及游牧群体相关聚集活动的记录。此外,在当地纳图夫文化背景中也熟知类似的符号和图案,纳图夫文化是 sedentary 或半 sedentary 觅食者的最后一个旧石器时代晚期文化,他们开始从事农业。对艾因卡希什南部发现的雕刻的研究涉及在对欧洲和当地类似物的研究中形成的概念、一系列人种学实例以及对饰板的初步微观观察。这表明具象和非具象图像构成了一个连贯的符号组合,可能被用于存储、分享和传递与流动群体的社会和生存领域相关的信息。它还进一步表明该遗址是群体聚集的场所,并暗示了黎凡特前纳图夫觅食者的社会复杂性。虽然社会和生存策略的变化可以解释晚更新世世界不同地区图像使用频率的差异——图形及其应用方式的明显相似性支持了符号介导行为有共同且更早起源的可能性。 (注:原文中“sedentary”可能有误,推测为“sedentary”应是“sedentary”拼写错误,正确的可能是“sedentary” 意思为“定居的” 这里保留原文拼写,根据语境猜测翻译)

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/927e/4996494/6d473b883ae7/pone.0160687.g001.jpg

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