YEAR Centre, Department of Archaeology, University of York, York, United Kingdom.
Department of Archaeology, Durham University, Durham, United Kingdom.
PLoS One. 2022 Apr 20;17(4):e0266146. doi: 10.1371/journal.pone.0266146. eCollection 2022.
Palaeolithic stone plaquettes are a type of mobiliary art featuring engravings and recovered primarily from Magdalenian sites, where they can number from single finds to several thousand examples. Where context is available, they demonstrate complex traces of use, including surface refreshing, heating, and fragmentation. However, for plaquettes with limited or no archaeological context, research tends to gravitate toward their engraved surfaces. This paper focuses on 50 limestone plaquettes excavated by Peccadeau de l'Isle from Montastruc, a Magdalenian rockshelter site in southern France with limited archaeological context; a feature common to many art bearing sites excavated across the 19th and early 20th Centuries. Plaquette use at Montastruc was explored via a programme of microscopy, 3D modelling, colour enhancement using DStretch©, virtual reality (VR) modelling, and experimental archaeology, the latter focusing on limestone heating related to different functional and non-functional uses. While the limited archaeological context available ensures the results remain only indicative, the data generated suggests plaquettes from Montastruc were likely positioned in proximity to hearths during low ambient light conditions. The interaction of engraved stone and roving fire light made engraved forms appear dynamic and alive, suggesting this may have been important in their use. Human neurology is particularly attuned to interpreting shifting light and shadow as movement and identifying visually familiar forms in such varying light conditions through mechanisms such as pareidolic experience. This interpretation encourages a consideration of the possible conceptual connections between art made and experienced in similar circumstances, such as parietal art in dark cave environments. The toolset used to investigate the Montastruc assemblage may have application to other collections of plaquettes, particularly those with limited associated context.
旧石器时代的石牌是一种移动艺术,以雕刻为特色,主要从马格德林文化遗址中发现,在这些遗址中,它们的数量从单个发现到几千个不等。在有上下文的情况下,它们展示了复杂的使用痕迹,包括表面刷新、加热和破碎。然而,对于那些上下文有限或没有考古背景的石牌,研究往往倾向于关注它们的雕刻表面。本文重点介绍了从法国南部马格德林文化遗址蒙塔斯特鲁克挖掘出的 50 块石灰岩石牌,这些遗址的考古背景有限;这是许多在 19 世纪和 20 世纪早期挖掘的带有艺术品的遗址的共同特征。通过显微镜检查、3D 建模、使用 DStretch©增强颜色、虚拟现实 (VR) 建模和实验考古学,探索了蒙塔斯特鲁克石牌的使用情况,后者主要关注与不同功能和非功能用途相关的石灰岩加热。虽然可用的有限考古背景确保了结果仅具有指示性,但生成的数据表明,蒙塔斯特鲁克的石牌可能在低环境光照条件下放置在火塘附近。雕刻石头和飘忽不定的火光的相互作用使雕刻形式显得生动活泼,这表明这在它们的使用中可能很重要。人类神经系统特别善于解释移动的光影和识别在这种不断变化的光照条件下视觉上熟悉的形式,例如通过幻觉体验等机制。这种解释鼓励人们考虑在类似情况下制作和体验艺术之间可能存在的概念联系,例如在黑暗洞穴环境中的壁画艺术。用于研究蒙塔斯特鲁克组合的工具集可能适用于其他石牌收藏,特别是那些与相关背景有限的收藏。