Allen M L, Armitage E
Lancaster University, Lancaster, United Kingdom.
AQA, Manchester, United Kingdom.
Adv Child Dev Behav. 2017;52:153-184. doi: 10.1016/bs.acdb.2016.10.004. Epub 2016 Dec 9.
Pictures offer a unique and essential contribution to our lives, both in terms of aesthetic pleasure and links to symbolic thought. As such, psychologists have devoted significant time to investigating how children acquire an understanding of pictures. This chapter focuses on two particular facets of this development: the role of the artist and the importance of picture modality. First, we review work that has focused on tracking children's ability to (a) map the relationship between the mental state of the artist and their pictures, and (b) incorporate such considerations into their evaluations of pictures. Drawing these literatures together provides an up-to-date account of how children acquire a mentalistic understanding of pictures. Second, we argue that a mature theory of pictures must enable children to distinguish between different picture types (e.g., photographs vs drawings), and therefore that picture modality should be incorporated into existing theoretical accounts of pictorial development.
无论是在审美愉悦方面还是与象征思维的联系方面,图片都为我们的生活做出了独特而重要的贡献。因此,心理学家投入了大量时间来研究儿童如何理解图片。本章重点关注这一发展的两个特定方面:艺术家的角色和图片模态的重要性。首先,我们回顾了一些研究工作,这些工作专注于追踪儿童的能力:(a)描绘艺术家的心理状态与其图片之间的关系,以及(b)将这些因素纳入他们对图片的评价中。将这些文献整合在一起,提供了关于儿童如何获得对图片的心理主义理解的最新描述。其次,我们认为,一个成熟的图片理论必须使儿童能够区分不同的图片类型(例如,照片与绘画),因此图片模态应该纳入现有的图片发展理论解释中。