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大脑皮层对吉他音符模式的敏感性:脑电图对重复和调式的同步化

Cortical Sensitivity to Guitar Note Patterns: EEG Entrainment to Repetition and Key.

作者信息

Bridwell David A, Leslie Emily, McCoy Dakarai Q, Plis Sergey M, Calhoun Vince D

机构信息

The Mind Research Network Albuquerque, NM, USA.

The Mind Research NetworkAlbuquerque, NM, USA; Department of Electrical and Computer Engineering, University of New MexicoAlbuquerque, NM, USA; The MARC Program, University of New MexicoAlbuquerque, NM, USA.

出版信息

Front Hum Neurosci. 2017 Mar 1;11:90. doi: 10.3389/fnhum.2017.00090. eCollection 2017.

Abstract

Music is ubiquitous throughout recent human culture, and many individual's have an innate ability to appreciate and understand music. Our appreciation of music likely emerges from the brain's ability to process a series of repeated complex acoustic patterns. In order to understand these processes further, cortical responses were measured to a series of guitar notes presented with a musical pattern or without a pattern. ERP responses to individual notes were measured using a 24 electrode Bluetooth mobile EEG system (Smarting mBrainTrain) while 13 healthy non-musicians listened to structured (i.e., within musical keys and with repetition) or random sequences of guitar notes for 10 min each. We demonstrate an increased amplitude to the ERP that appears ~200 ms to notes presented within the musical sequence. This amplitude difference between random notes and patterned notes likely reflects individual's cortical sensitivity to guitar note patterns. These amplitudes were compared to ERP responses to a rare note embedded within a stream of frequent notes to determine whether the sensitivity to complex musical structure overlaps with the sensitivity to simple irregularities reflected in traditional auditory oddball experiments. Response amplitudes to the negative peak at ~175 ms are statistically correlated with the mismatch negativity (MMN) response measured to a rare note presented among a series of frequent notes (i.e., in a traditional oddball sequence), but responses to the subsequent positive peak at ~200 do not show a statistical relationship with the P300 response. Thus, the sensitivity to musical structure identified to 4 Hz note patterns appears somewhat distinct from the sensitivity to statistical regularities reflected in the traditional "auditory oddball" sequence. Overall, we suggest that this is a promising approach to examine individual's sensitivity to complex acoustic patterns, which may overlap with higher level cognitive processes, including language.

摘要

音乐在近代人类文化中无处不在,许多人都具备欣赏和理解音乐的天生能力。我们对音乐的欣赏可能源于大脑处理一系列重复复杂声学模式的能力。为了进一步了解这些过程,我们测量了皮层对一系列呈现出音乐模式或无模式的吉他音符的反应。在13名健康的非音乐家聆听结构化(即在音乐调式内且有重复)或随机的吉他音符序列各10分钟的过程中,使用24电极蓝牙移动脑电图系统(Smarting mBrainTrain)测量了对单个音符的事件相关电位(ERP)反应。我们发现,对于呈现于音乐序列中的音符,ERP在约200毫秒时出现的波幅增大。随机音符与有模式音符之间的这种波幅差异可能反映了个体对吉他音符模式的皮层敏感性。将这些波幅与对频繁音符流中嵌入的罕见音符的ERP反应进行比较,以确定对复杂音乐结构的敏感性是否与传统听觉奇偶数实验中反映的对简单不规则性的敏感性重叠。在约175毫秒处的负峰反应波幅与对一系列频繁音符中呈现的罕见音符(即在传统奇偶数序列中)测量的失匹配负波(MMN)反应在统计上相关,但对随后约200毫秒处的正峰反应与P300反应没有显示出统计关系。因此,对4赫兹音符模式所确定的对音乐结构的敏感性似乎与传统“听觉奇偶数”序列中反映的对统计规律性的敏感性有所不同。总体而言,我们认为这是一种检验个体对复杂声学模式敏感性的有前景的方法,这种敏感性可能与包括语言在内的更高层次认知过程重叠。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/29d0/5331856/fab344d8bcf5/fnhum-11-00090-g0001.jpg

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