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呼吸肌力量训练对古典唱法歌手的影响。

Effects of Respiratory Muscle Strength Training in Classically Trained Singers.

作者信息

Ray Christin, Trudeau Michael D, McCoy Scott

机构信息

Department of Speech and Hearing Science, The Ohio State University, Columbus, Ohio.

Department of Speech and Hearing Science, The Ohio State University, Columbus, Ohio; Department of Otolaryngology, 4000 Eye and Ear Institute, The Ohio State University, Columbus, Ohio.

出版信息

J Voice. 2018 Sep;32(5):644.e25-644.e34. doi: 10.1016/j.jvoice.2017.08.005. Epub 2017 Sep 27.

Abstract

Many voice pedagogy practices revolve around the notion of controlling airflow and lung volumes and focus heavily on the concepts of breath support and breath control. Despite this emphasis, the effects of increased respiratory muscle strength on airflow and phonation patterns in trained singers remain unknown. This study addressed whether singers could increase respiratory muscle strength with progressive threshold training and whether respiratory muscle strength increases had measurable effect on voice outcomes. A single-subject design was used to answer the research questions. Improved breath support was hypothesized to manifest in differences in airflow and phonetogram characteristics. Six graduate-level singing students were recruited to complete the protocol, which consisted of a baseline phase followed by either inspiratory muscle strength training followed by expiratory muscle strength training or vice versa. Results showed that these singers had increased respiratory muscle strength after completing the training program. Consistent changes in measures of aerodynamics and voice were not present among subjects, although some individual changes were noted. Future research may focus on the effects of respiratory muscle strength training in less advanced singers.

摘要

许多声乐教学法实践都围绕着控制气流和肺容量的概念展开,并且非常注重呼吸支持和呼吸控制的概念。尽管有这种强调,但增加呼吸肌力量对训练有素的歌手的气流和发声模式的影响仍然未知。本研究探讨了歌手是否可以通过渐进阈值训练增加呼吸肌力量,以及呼吸肌力量的增加是否对嗓音结果有可测量的影响。采用单受试者设计来回答研究问题。假设改善的呼吸支持会表现为气流和语图特征的差异。招募了六名研究生水平的歌唱学生来完成该方案,该方案包括一个基线阶段,随后是吸气肌力量训练,然后是呼气肌力量训练,或者反之亦然。结果表明,这些歌手在完成训练计划后呼吸肌力量有所增加。尽管注意到了一些个体变化,但受试者之间在空气动力学和嗓音测量方面并没有一致的变化。未来的研究可能会关注呼吸肌力量训练对水平较低的歌手的影响。

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