Calbi Marta, Heimann Katrin, Barratt Daniel, Siri Francesca, Umiltà Maria A, Gallese Vittorio
Department of Medicine and Surgery, Unit of Neuroscience, University of Parma, Parma, Italy.
Interacting Minds Centre, Aarhus University, Aarhus, Denmark.
Front Psychol. 2017 Oct 4;8:1684. doi: 10.3389/fpsyg.2017.01684. eCollection 2017.
Facial expressions are of major importance in understanding the mental and emotional states of others. So far, most studies on the perception and comprehension of emotions have used isolated facial expressions as stimuli; for example, photographs of actors displaying facial expressions corresponding to one of the so called 'basic emotions.' However, our real experience during social interactions is different: facial expressions of emotion are mostly perceived in a wider context, constituted by body language, the surrounding environment, and our beliefs and expectations. Already in the early twentieth century, the Russian filmmaker Lev Kuleshov argued that such context, established by intermediate shots of strong emotional content, could significantly change our interpretation of facial expressions in film. Prior experiments have shown behavioral effects pointing in this direction, but have only used static images as stimuli. Our study used a more ecological design with participants watching film sequences of neutral faces, crosscut with scenes of strong emotional content (evoking happiness or fear, plus neutral stimuli as a baseline condition). The task was to rate the emotion displayed by a target person's face in terms of valence, arousal, and category. Results clearly demonstrated the presence of a significant effect in terms of both valence and arousal in the fear condition only. Moreover, participants tended to categorize the target person's neutral facial expression choosing the emotion category congruent with the preceding context. Our results highlight the context-sensitivity of emotions and the importance of studying them under ecologically valid conditions.
面部表情对于理解他人的心理和情绪状态至关重要。到目前为止,大多数关于情绪感知和理解的研究都使用孤立的面部表情作为刺激;例如,演员展示与所谓“基本情绪”之一相对应的面部表情的照片。然而,我们在社交互动中的实际体验却有所不同:情绪的面部表情大多是在更广泛的背景中被感知的,这个背景由肢体语言、周围环境以及我们的信念和期望构成。早在20世纪初,俄罗斯电影制作人列夫·库里肖夫就认为,由强烈情感内容的中间镜头所建立的这种背景,能够显著改变我们对电影中面部表情的解读。先前的实验已经显示出指向这个方向的行为效应,但仅使用静态图像作为刺激。我们的研究采用了更符合生态的设计,让参与者观看中性面孔的电影片段,并穿插有强烈情感内容的场景(引发快乐或恐惧,加上中性刺激作为基线条件)。任务是根据效价、唤醒度和类别对面部表情目标人物所展示的情绪进行评分。结果清楚地表明,仅在恐惧条件下,在效价和唤醒度方面都存在显著效应。此外,参与者倾向于将目标人物的中性面部表情归类为与先前背景一致的情绪类别。我们的结果突出了情绪的情境敏感性以及在生态有效条件下研究情绪的重要性。