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古典芭蕾舞中向外单脚尖旋转起始阶段增加角动量时髋关节动力学的调节

Regulation of hip joint kinetics for increasing angular momentum during the initiation of a pirouette en dehors in classical ballet.

作者信息

Imura Akiko, Iino Yoichi

机构信息

Perception and Action Laboratory, Department of Health Promotion Science, Tokyo Metropolitan University, Japan.

Department of Sports Sciences, Graduate School of Arts and Sciences, The University of Tokyo, Tokyo, Japan.

出版信息

Hum Mov Sci. 2018 Aug;60:18-31. doi: 10.1016/j.humov.2018.04.015. Epub 2018 May 13.

DOI:10.1016/j.humov.2018.04.015
PMID:29772411
Abstract

This study examined how dancers regulate the hip joint kinetics to coordinate the upper and lower body angular momenta with the increased rotation of pirouette en dehors (pirouette) during the preparation. During the preparation of the pirouette, the upper body rotates greatly about the vertical axis; however, the lower extremity remains relatively stationary. Therefore, there must be specific control at the hip to coordinate the upper and lower body angular momenta in turns of increased rotation. Kinematics and kinetics of single to quadruple pirouettes performed by eight ballet dancers were analysed using a motion capture system and force plates. Peak angular momentum of the upper body around the vertical axis increased from the single to the quadruple pirouettes. The vertical components of hip abductor torque of the anterior lower limb and hip adductor and flexor torques of the posterior lower limb contributed to generating the clockwise moment acting on the upper body around the vertical axis, which was reduced by the vertical components of the hip internal and external rotator torques. Thigh flexion angles of the posterior and anterior lower limbs, respectively, at the peak adductor and abductor torques at the corresponding hip joints changed with the number of revolutions and changed the percent contribution of the relevant hip joint torques about the vertical axis. The results suggest that dancers need to regulate hip joint torques along with the thigh angles in the pirouettes depending on the number of revolutions.

摘要

本研究探讨了舞者在准备外侧单脚尖旋转(单脚尖旋转)过程中,随着旋转增加,如何调节髋关节动力学以协调上下身角动量。在准备单脚尖旋转时,上身绕垂直轴大幅旋转;然而,下肢保持相对静止。因此,在髋关节处必须有特定的控制,以在旋转增加时协调上下身角动量。使用动作捕捉系统和测力板分析了八位芭蕾舞舞者进行的单到四圈单脚尖旋转的运动学和动力学。上身绕垂直轴的峰值角动量从单圈到四圈单脚尖旋转逐渐增加。前下肢髋关节外展肌扭矩的垂直分量以及后下肢髋关节内收肌和屈肌扭矩有助于产生作用于上身绕垂直轴的顺时针力矩,而髋关节内旋肌和外旋肌扭矩的垂直分量则减小了该力矩。在相应髋关节处,内收肌和外展肌扭矩峰值时,后下肢和前下肢的大腿屈曲角度分别随旋转圈数变化,并改变了相关髋关节扭矩对垂直轴的贡献率。结果表明,舞者在单脚尖旋转中需要根据旋转圈数调节髋关节扭矩以及大腿角度。

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