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有或没有使用传统耳塞和音乐家专用耳塞的白种人和菲律宾音乐家所演奏音乐的音量水平。

Levels of Music Played by Caucasian and Filipino Musicians with and without Conventional and Musicians' Earplugs.

作者信息

Rawool Vishakha, Buñag Roraine

机构信息

Department of Communication Sciences & Disorders, West Virginia University, Morgantown, WV.

出版信息

J Am Acad Audiol. 2019 Jan;30(1):78-88. doi: 10.3766/jaaa.17097. Epub 2017 Dec 14.

Abstract

BACKGROUND

Some musicians may play the music louder while using earplugs thus reducing the effectiveness of the hearing protection offered by earplugs. In addition, the dynamic range (DR) of the music may be altered because of the use of earplugs with negative impact on perceived quality of music. There are some cultural differences in attitudes toward loudness, which may lead to differences in the loudness of music played by musicians from different cultures.

PURPOSE

To investigate the effect of the use of two different types of earplugs on the loudness and DR of music played by musicians of Caucasian and Filipino origins.

RESEARCH DESIGN

Quasi-experimental repeated measures design.

STUDY SAMPLE

Thirty six musicians with normal hearing within the age range of 18-49 yr. Fifteen were of Caucasian (eight men and 7 women) origin and 21 were of the Filipino (nine men and 12 women) origin.

INTERVENTION

All participants received a brief educational session, which included information on music-induced hearing loss, the benefit of using earplugs, and the correct procedures for inserting and removing earplugs. They played music in five different conditions (three min each): Trial 1 of conventional and musicians' earplugs in random order, no earplug, and trial 2 of conventional and musicians' earplugs in random order.

DATA COLLECTION AND ANALYSIS

Maximum, minimum, average (average sound level measured over the measurement period; LAVG), and peak levels were recorded using a dosimeter while playing music in each of the five conditions. The DR was derived by subtracting the minimum values from the maximum values. A different measure of the dynamic range 2 (DR2) was derived by subtracting the LAVG value from the peak value. Mixed analyses of variance (ANOVA) (Cultural origin and Gender as nonrepeated variables) was performed on LAVG, DR, and DR2.

RESULTS

Based on the LAVG levels yielded by them, 42-61% of the musicians may be at risk for hearing loss. The mixed ANOVA revealed some main effects of culture and some significant interactions involving cultural origin, the plug conditions, type of earplugs, and trial number.

CONCLUSIONS

Use of earplugs may vary the overall loudness of music, the DR, or the DR2 in some musicians depending on the type of earplugs and cultural origin, and the effect may change with practice.

摘要

背景

一些音乐家在使用耳塞时可能会把音乐放得更响,从而降低了耳塞提供的听力保护效果。此外,由于使用耳塞,音乐的动态范围(DR)可能会改变,这对音乐的感知质量有负面影响。在对音量的态度上存在一些文化差异,这可能导致来自不同文化的音乐家所演奏音乐的音量有所不同。

目的

研究使用两种不同类型的耳塞对高加索裔和菲律宾裔音乐家所演奏音乐的音量和动态范围的影响。

研究设计

准实验重复测量设计。

研究样本

36名年龄在18 - 49岁之间听力正常的音乐家。其中15名是高加索裔(8名男性和7名女性),21名是菲律宾裔(9名男性和12名女性)。

干预措施

所有参与者都接受了一次简短的培训课程,内容包括音乐性听力损失的相关信息、使用耳塞的益处以及插入和取出耳塞的正确步骤。他们在五种不同条件下演奏音乐(每种条件3分钟):以随机顺序进行传统耳塞和音乐家专用耳塞的试验1、不使用耳塞、以随机顺序进行传统耳塞和音乐家专用耳塞的试验2。

数据收集与分析

在五种条件下演奏音乐时,使用剂量计记录最大值、最小值、平均值(在测量期间测量的平均声级;LAVG)和峰值水平。动态范围通过最大值减去最小值得出。另一种动态范围测量值DR2通过峰值减去LAVG值得出。对LAVG、DR和DR2进行方差混合分析(ANOVA)(文化起源和性别作为非重复变量)。

结果

根据他们产生的LAVG水平,42% - 61%的音乐家可能有听力损失风险。方差混合分析揭示了一些文化的主效应以及一些涉及文化起源、耳塞条件、耳塞类型和试验次数的显著交互作用。

结论

使用耳塞可能会使一些音乐家所演奏音乐的总体音量、动态范围或DR2有所不同,这取决于耳塞类型和文化起源,并且这种影响可能会随着练习而改变。

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