Department of Basic Psychological Research and Research Methods, Faculty of Psychology, University of Vienna.
Emotion. 2019 Dec;19(8):1396-1413. doi: 10.1037/emo0000528. Epub 2018 Nov 26.
An outstanding question in empirical aesthetics concerns whether negative emotions (e.g., fear, disgust) can improve aesthetic judgments of liking. Although negative emotions are sometimes linked with enjoyment in music or visual design/art, emotion priming studies have shown conflicting results, reporting both more negative and more positive assessments. These divergences may be driven by key differences in priming procedures. Specifically, past studies' use of either emotional faces or emotional scenes as primes as well as differing negative emotion content (fear, disgust) may involve differing processes leading to opposing effects, particularly in aesthetic judgments. To differentiate among these, we presented emotion primes (20 ms) consisting of either emotional faces or scenes, further subdivided in disgusting, fearful, neutral, or positive emotional content and tested how liking, valence, and arousal ratings of abstract patterns were affected. Additionally, facial electromyography (fEMG) over M. frontalis (indicator of fear), M. levator labii (disgust), and M. zygomaticus (positive) muscles was recorded, to see whether primes would elicit prime-emotion congruent changes. However, fEMG activations indicated no prime congruent changes. Critically, primes influenced ratings in an emotion congruent manner in both faces and emotional scenes. Stimuli were rated as more liked and positively valenced after positive primes and less liked/more negatively valenced after fear or disgust primes. The similarity of priming effects in both prime types in absence of congruent fEMG changes may suggest that priming exerts its influence via a cognitive rather than a more immediate emotional route. Overall-at least in emotional priming-negative emotions seem to be incompatible with higher liking. (PsycINFO Database Record (c) 2019 APA, all rights reserved).
在经验美学中,一个悬而未决的问题是负面情绪(如恐惧、厌恶)是否能提高对喜欢的审美判断。尽管负面情绪有时与音乐或视觉设计/艺术的享受有关,但情感启动研究报告的结果却相互矛盾,既有更负面的评估,也有更积极的评估。这些差异可能是由启动程序的关键差异驱动的。具体来说,过去的研究使用情感面孔或情感场景作为启动刺激,以及不同的负面情绪内容(恐惧、厌恶),可能涉及不同的过程,导致相反的效果,特别是在审美判断中。为了区分这些,我们呈现了由情感面孔或场景组成的情感启动(20 毫秒),进一步细分为令人厌恶、恐惧、中性或积极的情绪内容,并测试了抽象模式的喜欢、效价和唤醒率如何受到影响。此外,还记录了额肌(M. frontalis,恐惧的指标)、上唇提肌(M. levator labii,厌恶)和颧肌(M. zygomaticus,积极)的面部肌电图(fEMG),以观察启动是否会引起与启动情绪一致的变化。然而,fEMG 激活表明没有与启动一致的变化。关键是,启动以与情绪一致的方式影响评分,无论是在正面还是在情感场景中。在积极的启动后,刺激被评为更受喜欢和更积极的效价,而在恐惧或厌恶的启动后,刺激被评为更不受喜欢和更消极的效价。在没有一致的 fEMG 变化的情况下,两种启动类型的启动效应的相似性可能表明,启动通过认知途径而不是更直接的情绪途径发挥其影响。总的来说,至少在情感启动中,负面情绪似乎与更高的喜欢程度不兼容。(PsycINFO 数据库记录(c)2019 APA,保留所有权利)。