黄金时代与银屏：20世纪30至40年代美国电影中医生英雄形象的塑造
Golden Ages and Silver Screens: The Construction of the Physician Hero in 1930-1940 American Cinema.
作者信息
Cashman Christopher R
机构信息
MSTP/MD-PhD Program, Johns Hopkins University School of Medicine, 1830 E. Monument St, Suite 2-300, Baltimore, MD, 21205, USA.
Department of Medicine, Brigham and Women's Hospital, 75 Francis St., Rm. 250, Boston, MA, 02115, USA.
出版信息
J Med Humanit. 2019 Dec;40(4):553-568. doi: 10.1007/s10912-019-09554-0.
During the 1940s in America, as medicine became more research-focused, medical researcher heroes were described as devotedly pursuing miraculous medicine. At the same time, Hollywood thrived, and films were an effective means to help build the myth of the physician hero. Cinematic techniques, rather than only the narrative, of four films, Dr. Arrowsmith, The Story of Louis Pasteur, Dr. Ehrlich's Magic Bullet, and Dr. Jekyll and Mr. Hyde, are discussed to understand how they helped construct the image of the physician hero, both in terms of what they were and what they were not.
在20世纪40年代的美国，随着医学越来越注重研究，医学研究英雄被描述为全身心地追求神奇药物。与此同时，好莱坞蓬勃发展，电影成为塑造医生英雄神话的有效手段。本文将探讨《阿罗史密斯博士》《路易斯·巴斯德的故事》《埃尔利希博士的魔弹》和《化身博士》这四部电影的电影技术（而非仅仅是叙事），以了解它们如何在展现医生英雄形象的同时，又有所保留，从而帮助构建了医生英雄的形象。
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