Luft Caroline Di Bernardi, Zioga Ioanna, Banissy Michael J, Bhattacharya Joydeep
School of Chemical and Biological Sciences, Queen Mary, University of London, London, United Kingdom.
Department of Psychology, Goldsmiths, University of London, London, United Kingdom.
Front Psychol. 2019 Feb 22;10:210. doi: 10.3389/fpsyg.2019.00210. eCollection 2019.
Experienced meditators often report spontaneous visual imagery during deep meditation in the form of lights or other types of visual images. These experiences are usually interpreted as an "encounters with light" and gain mystical meaning. Contrary to the well-studied intentional and controlled visual imagery, spontaneous imagery is poorly understood, yet it plays an important role in creativity of visual artists. The neural correlates of such experiences are indeed hard to capture in laboratory settings. In this case study we aimed to investigate the neural correlates of spontaneous visual imagery in an artist who experiences strong visual imagery during meditation. She uses these images to create visual art. We recorded her EEG during seven meditation sessions in which she experienced visual imagery episodes (visions). To examine the functional role of the neural oscillations we also conducted three separate meditation sessions under different transcranial alternating current (tACS) brain stimulation: alpha (10 Hz), gamma (40 Hz) and sham. We observed a robust increase in occipital gamma power (30-70 Hz) during the deepest stage of meditation across all sessions. This gamma increase was consistent with the experience of spontaneous visual imagery: higher during visions compared to no visions. Alpha tACS was found to affect the contents of her visual imagery, making them sharper, shorter and causing more visions to occur; the artist reported that these sharp images were too detailed to be used in her art. Interestingly, gamma and sham stimulation had no impact on the visual imagery contents. Our findings raise the hypothesis that occipital gamma might be a neural marker of spontaneous visual imagery, which emerges in certain meditation practices of experienced meditators.
有经验的冥想者经常报告在深度冥想期间出现以光或其他类型视觉图像形式的自发视觉意象。这些体验通常被解释为“与光的相遇”并具有神秘意义。与经过充分研究的有意和可控视觉意象相反,自发意象的理解很差,但它在视觉艺术家的创造力中起着重要作用。这种体验的神经关联在实验室环境中确实很难捕捉。在这个案例研究中,我们旨在调查一位在冥想期间经历强烈视觉意象的艺术家的自发视觉意象的神经关联。她利用这些图像来创作视觉艺术。我们在她经历视觉意象事件(幻象)的七次冥想过程中记录了她的脑电图。为了检查神经振荡的功能作用,我们还在不同的经颅交流电(tACS)脑刺激下进行了三次单独的冥想过程:阿尔法(10赫兹)、伽马(40赫兹)和伪刺激。我们观察到在所有过程中冥想最深阶段枕叶伽马功率(30 - 70赫兹)有强劲增加。这种伽马增加与自发视觉意象的体验一致:与没有幻象相比,在幻象期间更高。发现阿尔法tACS会影响她视觉意象的内容,使其更清晰、更短暂并导致更多幻象出现;这位艺术家报告说这些清晰的图像太详细以至于无法用于她的艺术创作。有趣的是,伽马和伪刺激对视觉意象内容没有影响。我们的发现提出了一个假设,即枕叶伽马可能是自发视觉意象的神经标志物,它出现在有经验的冥想者的某些冥想练习中。