Faber Sarah E M, McIntosh Anthony R
Baycrest Centre, Rotman Research Institute, Toronto, Ontario, Canada.
Eur J Neurosci. 2020 Feb;51(3):840-849. doi: 10.1111/ejn.14567. Epub 2019 Sep 17.
Musical improvisation is a sophisticated cognitive process that combines creativity, goal-directed action, sensory monitoring and social interaction. With a renewed interest in quantifying creative processes facilitated by recent advances in neuroimaging technology, musical improvisation has emerged as an ideal paradigm to study creativity. However, many studies isolate the top-down processes related to creativity from those related to production and auditory perception, leaving the question of how creative behaviours integrate sensory information with higher cognitive processes unanswered. The bottom-up neural correlates of music perception have been extensively quantified, comprising networks for auditory processing and parsing semantic and syntactic content. In studies of spontaneously generated music and domain-general creativity, executive control and goal-directed movement networks are added to the perceptual foundation. This review summarises previous work on music perception and improvisation and presents a conceptual model of musical improvisation with known neural correlates. We make recommendations on future directions for the study of improvisation and discuss the challenges posed by this endeavour.
音乐即兴创作是一个复杂的认知过程,它将创造力、目标导向行动、感官监测和社会互动结合在一起。随着神经成像技术的最新进展促使人们重新关注对创造性过程进行量化,音乐即兴创作已成为研究创造力的理想范例。然而,许多研究将与创造力相关的自上而下的过程与与创作和听觉感知相关的过程隔离开来,使得创造性行为如何将感官信息与更高层次的认知过程整合这一问题仍未得到解答。音乐感知的自下而上的神经关联已得到广泛量化,包括用于听觉处理以及解析语义和句法内容的神经网络。在对自发产生的音乐和一般领域创造力的研究中,执行控制和目标导向运动网络被添加到感知基础之上。本综述总结了先前关于音乐感知和即兴创作的研究,并提出了一个具有已知神经关联的音乐即兴创作概念模型。我们对即兴创作研究的未来方向提出建议,并讨论了这一研究工作所带来的挑战。