Fraser I H, Parker D M
Department of Psychology, King's College, University of Aberdeen, UK.
Perception. 1988;17(4):437-59. doi: 10.1068/p170437.
Five experiments are reported in which the perception of the order of the components of line drawn patterns presented in rapid temporal sequence on a visual display unit was investigated. In experiments 1 and 2, respectively, a schematic face and an asymmetrical geometric design, and a realistic face and a symmetrical geometric design were each divided into four fragments consisting of outline and three internal features. These fragments were presented to observers in sequences in which the position of the outline in the sequence was systematically varied. Observers reported the perceived order of the fragments. If the order was misperceived the interfragment interval was increased until the sequence was correctly perceived. Analysis of the pattern of perceptual errors and the interfragment presentation interval at which the sequence was correctly perceived indicated that observers tended to perceive the sequence correctly when the outline was presented in first or last position, but had difficulty in doing this when it occupied an intermediate position. This effect was significantly stronger with facial than with geometric patterns. Furthermore, in the case of two face patterns, errors were of a form where observers reported the outline presented in positions two or three as occupying positions one or four respectively. In experiment 3 an identical procedure was used to compare the perception of temporally fragmented normal and inverted faces. The outline position effect was equally strong in both cases. In experiment 4 the relative strength of the tendency to move the outline towards first or final position was assessed by dividing each of two patterns, a face and a house, into three fragments consisting of outline and two groups of internal features. Order perception was significantly better with outline in first or third position, but where it was presented in the intermediate position it was reported as being presented in first position. In experiment 5 the general pattern of results obtained in experiments 1, 2, and 3 was verified with the use of a methodology in which pattern fragment sequences and interfragment intervals were both randomised from trial to trial and the observer's task was to specify the position of the outline in the sequence. Four patterns--a normal face, a face with inverted internal features (INF face), a face outline with irrelevant internal features (IRF face), and a geometric design--were each divided into four fragments consisting of outline and three internal features.(ABSTRACT TRUNCATED AT 400 WORDS)
本文报告了五项实验,研究了在视觉显示单元上以快速时间序列呈现的线条绘制图案的组成部分顺序的感知情况。在实验1和实验2中,分别将一个示意性面孔和一个不对称几何图案,以及一个真实面孔和一个对称几何图案,各自分为由轮廓和三个内部特征组成的四个片段。这些片段以轮廓在序列中的位置系统变化的顺序呈现给观察者。观察者报告片段的感知顺序。如果顺序被错误感知,片段间间隔就会增加,直到序列被正确感知。对感知错误模式和序列被正确感知时的片段间呈现间隔的分析表明,当轮廓在第一个或最后一个位置呈现时,观察者倾向于正确感知序列,但当它占据中间位置时,观察者很难做到这一点。这种效应在面部图案中比在几何图案中明显更强。此外,对于两个面部图案,错误的形式是观察者将在第二或第三个位置呈现的轮廓分别报告为占据第一或第四个位置。在实验3中,使用相同的程序比较了对时间上碎片化的正常面孔和倒置面孔的感知。在两种情况下,轮廓位置效应同样强烈。在实验4中,通过将一个面孔图案和一个房屋图案各自分为由轮廓和两组内部特征组成的三个片段,评估了将轮廓移向第一个或最后一个位置的倾向的相对强度。当轮廓在第一个或第三个位置呈现时,顺序感知明显更好,但当它在中间位置呈现时,观察者报告它在第一个位置呈现。在实验5中,使用一种方法验证了在实验1、2和3中获得的总体结果模式,在这种方法中,图案片段序列和片段间间隔在每次试验中都是随机的,观察者的任务是指定轮廓在序列中的位置。四个图案——一个正常面孔、一个内部特征倒置的面孔(INF面孔)、一个带有无关内部特征的面孔轮廓(IRF面孔)和一个几何图案——各自分为由轮廓和三个内部特征组成的四个片段。(摘要截取自400字)