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一切都至关重要:表演教师对戏剧课程的看法。

It's All Critical: Acting Teachers' Beliefs About Theater Classes.

作者信息

Goldstein Thalia R, Young DaSean L, Thompson Brittany N

机构信息

Department of Psychology, George Mason University, Fairfax, VA, United States.

出版信息

Front Psychol. 2020 May 19;11:775. doi: 10.3389/fpsyg.2020.00775. eCollection 2020.

Abstract

Acting classes and theater education have long been framed as activities during which children can learn skills that transfer outside the acting classroom. A growing empirical literature provides evidence for acting classes' efficacy in teaching vocabulary, narrative, empathy, theory of mind, and emotional control. Yet these studies have not been based in what is actually happening in the acting classroom, nor on what acting teachers report as their pedagogical strategies. Instead, previous work has been unsystematic and fragmented in its measured transfer outcomes, and absent mechanistic explanation. Expanding research on this topic requires more grounding in teachers' beliefs about the acting classes they teach, as well as observation of the classes themselves. As a first step, we surveyed 173 acting teachers online, asking them about the activities within acting classes they believed caused change in their students, as well as which outcomes they believed were changed as a result of acting classes. Teachers taught across educational levels (elementary to professional) and had a variety of training in teaching acting. Overall, teachers rated almost every activity within classes as important for and causing impact on students, and almost every outcome as being positively influenced as a result of acting class. When forced to rank-order outcomes, teachers focused on collaboration, communication, creativity, confidence, and empathy as most likely to change. Teachers rated the importance of class activities and outcomes differently depending on what level they taught. This study shows the difficulty of surveying highly motivated teachers, given the globally high rankings, but also proposes candidate psychological skills likely to change as a result of acting classes and the mechanistic behaviors that may cause change.

摘要

长期以来,表演课程和戏剧教育一直被视为孩子们可以学习能应用于表演课堂之外技能的活动。越来越多的实证文献证明了表演课程在教授词汇、叙事、同理心、心理理论和情绪控制方面的有效性。然而,这些研究并非基于表演课堂上实际发生的情况,也不是基于表演教师所报告的教学策略。相反,以往的研究在测量的迁移结果方面缺乏系统性和连贯性,并且没有对作用机制进行解释。要扩大对这一主题的研究,需要更多地基于教师对其所教授的表演课程的信念,以及对课程本身的观察。作为第一步,我们对173名表演教师进行了在线调查,询问他们认为表演课程中的哪些活动会促使学生发生改变,以及他们认为表演课程会带来哪些结果的改变。教师涵盖了各个教育水平(从小学到专业水平),并且在表演教学方面接受过各种培训。总体而言,教师们认为几乎课堂上的每一项活动对学生都很重要且会产生影响,并且几乎每一项结果都会因表演课程而受到积极影响。当被迫对结果进行排序时,教师们认为合作、沟通、创造力、自信和同理心最有可能发生改变。教师们根据所教授的水平不同,对课堂活动和结果的重要性评价也有所不同。这项研究表明,鉴于全球范围内的高排名,对积极性很高的教师进行调查存在困难,但同时也提出了可能因表演课程而发生改变的候选心理技能以及可能导致改变的作用机制行为。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/9d33/7248218/a29fee9c6b1b/fpsyg-11-00775-g001.jpg

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