IPEM, Dept. of Art, Music and Theatre Sciences, Ghent University, Miriam Makebaplein 1, 9000 Ghent, Belgium.
IPEM, Dept. of Art, Music and Theatre Sciences, Ghent University, Miriam Makebaplein 1, 9000 Ghent, Belgium.
Acta Psychol (Amst). 2020 Oct;210:103166. doi: 10.1016/j.actpsy.2020.103166. Epub 2020 Sep 9.
Bodily gestures play an important role in the communication of expressive intentions between humans. Music ensemble performance, as an outstanding example of nonverbal human communication, offers an exemplary context to study and understand the gestural control and communication of these expressive intentions. An important mechanism in music ensemble performance is the anticipation and control of interpersonal timing. When performing, musicians are involved in a complex system of mutual adaptation which is not completely understood so far. In this study, we investigated the role of performers' gestures in the mediation process of interpersonal timing in a dyad performance. Therefore, we designed an experiment in which we controlled for the use of hand and arm movements in a musical task, in which dyads were asked to synchronously tap out a melody. Next to their comfortable/natural way of tapping, we instructed participants to either perform pronounced expressive hand and arm gestures in between successive taps, or to restrict from any overt body movement. In addition, we looked at effects of visual contact (yes/no) and tempo (slow: 50 beats per minute; fast: 100 beats per minute). The results show that performers' gestures improve interpersonal musical timing, in terms of the consistency and accuracy of onset asynchronies, and of the variability of produced inter-onset intervals. Interestingly, we found that the use of expressive gestures, in regard to comfortable/natural movements, add to these positive timing effects, but only when there is visual contact and at the slow tempo. In addition, we found that the type of gestures employed by musicians may modulate leader-follower dynamics. Together, these findings are explained by human anticipation mechanisms facilitated by gesturing, shedding new light on the principles underlying human communication of expressive intentions, through music.
身体姿势在人类表达意图的情感交流中起着重要作用。音乐合奏表演作为非言语人类交流的杰出范例,为研究和理解这些表达意图的手势控制和交流提供了一个典范性的背景。音乐合奏表演中的一个重要机制是对人际时间的预期和控制。在表演过程中,音乐家们参与到一个复杂的相互适应系统中,到目前为止,这个系统还没有被完全理解。在这项研究中,我们研究了表演者的手势在双人表演中人际时间中介过程中的作用。因此,我们设计了一个实验,在这个实验中,我们控制了在一个音乐任务中手和手臂的使用,在这个任务中,双人被要求同步敲击出一段旋律。除了他们舒适/自然的敲击方式外,我们还指导参与者在连续敲击之间表现出明显的富有表现力的手和手臂动作,或者限制任何明显的身体动作。此外,我们还观察了视觉接触(有/无)和节奏(慢:50 拍/分钟;快:100 拍/分钟)的影响。结果表明,表演者的手势改善了人际音乐时间,表现在起始时的一致性和准确性、产生的起始间隔的可变性。有趣的是,我们发现,与舒适/自然动作相比,使用富有表现力的手势会增加这些积极的时间效应,但只有在有视觉接触和慢节奏时才会如此。此外,我们发现,音乐家所采用的手势类型可能会调节领导者-追随者的动态。这些发现共同解释了由手势促进的人类预期机制,为通过音乐表达情感意图的人类交流原则提供了新的认识。