Linacre College, University of Oxford, Oxford, UK.
Ann Sci. 2020 Oct;77(4):469-494. doi: 10.1080/00033790.2020.1817557. Epub 2020 Sep 20.
In 1758 in London, Swedish natural philosopher and mystic theologian Emanuel Swedenborg published (), a treatise on the plurality of worlds and life on other planets. During the seventeenth and eighteenth centuries, these topics formed a heterogenous literary genre which encompassed theology, astronomy, philosophy and satire. In , Swedenborg made detailed claims of communication with extraterrestrial spirits in the afterlife, through which he sought to spread his theology to new audiences. The paper will explore the role of in Swedenborg's career, explain its content and analyse its polarized reception. It will show that combined for the first time the literary codes of two popular genres during the period, namely those concerning the plurality of worlds and the dialogues of the dead. By doing so, the paper revises current scholarly understanding of Swedenborg by showcasing him as a versatile yet ill-fated recombiner of literary genres. More broadly, the paper will shed light upon previously unnoticed eighteenth-century literary interactions along with a wider overview on the reception of themes such as the plurality of worlds, mysticism and satire in Scandinavia and Germany.
1758 年,在伦敦,瑞典自然哲学家和神秘主义神学家伊曼纽尔·斯威登堡(Emanuel Swedenborg)出版了《天堂与地狱》( Heaven and Hell ),这是一篇关于多个世界和其他行星上生命的论文。在 17、18 世纪,这些主题形成了一个混杂的文学体裁,包括神学、天文学、哲学和讽刺。在这本书中,斯威登堡详细声称与来世的外星灵魂进行了交流,通过这种交流,他试图将他的神学传播给新的受众。本文将探讨《天堂与地狱》在斯威登堡职业生涯中的作用,解释其内容并分析其两极分化的接受情况。本文将表明,《天堂与地狱》首次将这一时期两个流行体裁的文学代码结合在一起,即关于多个世界的对话和死人的对话。通过这样做,本文通过展示斯威登堡作为一个多才多艺但不幸的文学体裁重组者,修正了当前对他的学术理解。更广泛地说,本文将揭示以前被忽视的 18 世纪文学互动,以及对多个世界、神秘主义和讽刺等主题在斯堪的纳维亚和德国的接受的更广泛概述。