Humboldt-Universität zu Berlin, Germany.
Humboldt-Universität zu Berlin, Germany.
Acta Psychol (Amst). 2021 Jan;212:103195. doi: 10.1016/j.actpsy.2020.103195. Epub 2020 Nov 1.
This research aimed to assess top-down effects of social judgments on (facial) emotional mimicry. Based on the mimicry as social regulator model (Hess & Fischer, 2013) and the notion that people can use emotion expressions as cues to an expresser's traits (Hareli & Hess, 2010), we predicted that participants judge expressers who show affectively deviant expressions more negatively, feel less close to them and, thus, show reduced mimicry. Participants saw smiles and sad expressions embedded in either a wedding or funeral scene (or neutral control). In Study 1, affectively deviant expressions were rated as inappropriate and led to less self-reported interpersonal closeness to the expresser. In Study 2, both happiness and sadness mimicry were affected by the normativeness of the expression. However, the specific effect varied. Participants mimicked both deviant and normative happy expressions only when they felt close to the expresser. However, in the case of deviant expressions, closeness was lower. When participants did not feel close to the expresser, their expression was neutral, that is, they did not mimic. Sadness was only mimicked when appropriate to the context, that is, when deemed a legitimate response and a valid appeal for help, regardless of closeness. In this sense, facial mimicry of sadness expression can be considered an empathic reaction. In sum, the present research shows strong evidence for a top-down effect of social judgments on mimicry. It further suggests that this effect differed as a function of emotion expression and the meaning and social appeal conveyed by that expression.
本研究旨在评估社会判断对(面部)情绪模仿的自上而下影响。基于模仿作为社会调节模型(Hess & Fischer,2013)和人们可以将情绪表达用作表达者特征的线索的观点(Hareli & Hess,2010),我们预测参与者会对表现出情感偏差表达的表达者做出更负面的判断,感觉与他们的关系不那么亲密,因此表现出的模仿减少。参与者看到了嵌入婚礼或葬礼场景(或中性控制)中的微笑和悲伤表情。在研究 1 中,情感偏差表达被评为不适当的,并导致参与者对表达者的自我报告的人际亲密感降低。在研究 2 中,快乐和悲伤的模仿都受到表达的规范性的影响。然而,具体的影响有所不同。只有当参与者感到与表达者亲近时,他们才会模仿偏差和规范的快乐表情。然而,在偏差表达的情况下,亲近感较低。当参与者与表达者不亲近时,他们的表情是中立的,也就是说,他们没有模仿。只有当表情适当,即被认为是合法的反应和有效的求助呼吁时,才会模仿悲伤表情,无论亲近感如何。从这个意义上说,对悲伤表情的面部模仿可以被视为一种同理心反应。总之,本研究为社会判断对模仿的自上而下影响提供了强有力的证据。它进一步表明,这种影响因情绪表达以及该表达所传达的意义和社会吸引力而异。