University of North Carolina at Asheville, Ashville, NC, USA.
Transcult Psychiatry. 2020 Dec;57(6):753-762. doi: 10.1177/1363461520970678.
It is often suggested that the Greek tragedians present clinically credible pictures of mental disturbance. For instance, some modern interpreters have compared the process by which Cadmus brings Agave back to sanity in Euripides' with modern psychotherapy. But a reading of medical writers' views on the psychological dimension of medicine offers little evidence for believing that these scenes reflect the practices of late fifth-century Athenian doctors, for whom verbal cures are associated with older traditions of non-rational thought, and thus are scorned in favor of more "scientific cures" based on diet or medication. This paper will argue that Athenian tragedians, working from older traditions that advocated verbal cures for some mental ailments, do understand the potential psychological effects that their work can have on audiences, since tragedy requires psychological interaction with its audience in order to be effective. From a close reading of select scenes in Euripidean tragedy, this paper suggests that the experiences of the characters who experience suffering in Euripides' and are analogues of the experiences undergone by the spectators of tragedy at large. Parallels are made between the way that Agave and Heracles are both talked back to sanity by looking upon what has happened, and the way that tragedians make their audiences observe lamentations and meditations that follow the central tragic act, to help them return from the intense emotion provoked, perhaps, by the violence they have seen.
人们常说希腊悲剧呈现出可信的精神紊乱临床图像。例如,一些现代阐释者将欧里庇得斯的 中卡德摩斯使阿伽薇恢复神智的过程与现代心理疗法进行了比较。但是,阅读医学作家对医学心理维度的看法几乎没有证据表明这些场景反映了 5 世纪后期雅典医生的实践,因为言语治疗与非理性思维的更古老传统有关,因此被轻视,而更倾向于基于饮食或药物的“科学治疗”。本文将论证,雅典悲剧作家从倡导某些精神疾病的言语治疗的古老传统出发,确实理解他们的作品对观众可能产生的潜在心理影响,因为悲剧要想有效,就必须与观众进行心理互动。本文通过对欧里庇得斯的 和 中精选场景进行细读,提出在欧里庇得斯的 和 中经历苦难的角色的体验与悲剧观众的总体体验类似。通过观看所发生的事情,阿伽薇和赫拉克勒斯都恢复了理智,悲剧作家让观众观察哀悼和沉思,这与他们让观众从他们所看到的暴力中引发的强烈情感中回归的方式类似。