Division of Biokinesiology and Physical Therapy, University of Southern California, Los Angeles, CA, USA.
Division of Biokinesiology and Physical Therapy, University of Southern California, Los Angeles, CA, USA.
Clin Biomech (Bristol). 2021 Mar;83:105287. doi: 10.1016/j.clinbiomech.2021.105287. Epub 2021 Feb 3.
Tendinopathy of the flexor hallucis longus, commonly called "dancer's tendinitis", is a prevalent injury among female ballet dancers. Limited success of non-surgical interventions leads to many dancers undergoing tenolysis surgeries with risks and recovery times that can be detrimental to a dance career. The purpose of this study was to evaluate lower limb kinematics and muscle coordination during a modified traditional heel raise exercise where the toes hang off the edge of the support surface. We hypothesized this would decrease activation of the flexor hallucis longus and increase activation of larger plantarflexors.
Healthy non-dancers (n = 11), healthy dancers (n = 10), and dancers with flexor hallucis longus tendinopathy (n = 9) performed traditional ("toes-on") and modified ("toes-off") heel raises with kinematic and electromyographic instrumentation of the lower leg.
Participants maintained ankle excursion with the toes-off modification, while metatarsophalangeal joints had reduced excursion and greater excursion variability. Most healthy dancers (9/10) decreased flexor hallucis longus activation as predicted, but dancers with flexor hallucis longus tendinopathy showed a variable response with some decreasing activation (3/9) but others increasing activation up to 4-times. There were no changes in activation of other plantarflexors. Across groups, intrinsic foot muscle activation decreased with the toes-off modification.
The toes-off modification decreased flexor hallucis longus activation in most of the healthy dancers but was insufficient to shift muscle coordination from the flexor hallucis longus to larger plantarflexors in dancers with flexor hallucis longus tendinopathy. Future work should investigate clinical cues or modifications to this "toes-off" heel raise intervention.
屈趾肌腱病,俗称“舞者的跟腱炎”,是女性芭蕾舞演员中常见的一种损伤。非手术干预的效果有限,导致许多舞者接受伸肌腱松解术,这会带来风险和恢复时间,这对舞蹈生涯可能是不利的。本研究的目的是评估改良传统跟腱抬高练习中的下肢运动学和肌肉协调性,在此练习中脚趾悬于支撑面边缘。我们假设这种方法会降低屈趾肌腱长肌的激活程度,增加较大的跖屈肌的激活程度。
健康非舞者(n=11)、健康舞者(n=10)和屈趾肌腱病舞者(n=9)进行了传统(“脚趾着地”)和改良(“脚趾悬空”)跟腱抬高,下肢运动学和肌电图仪进行了记录。
参与者在脚趾悬空的改良方法中保持了踝关节的活动度,而跖趾关节的活动度减小,活动度变异性增加。大多数健康舞者(9/10)如预期的那样降低了屈趾肌腱长肌的激活程度,但屈趾肌腱病舞者的反应则各不相同,有些降低了激活程度(3/9),而有些则增加了高达 4 倍。其他跖屈肌的激活没有变化。在所有组中,随着脚趾悬空的改良,内在足部肌肉的激活减少。
脚趾悬空的改良方法降低了大多数健康舞者的屈趾肌腱长肌的激活程度,但对于屈趾肌腱病舞者来说,不足以将肌肉协调从屈趾肌腱长肌转移到更大的跖屈肌。未来的研究应探讨这种“脚趾悬空”跟腱抬高干预的临床线索或改良方法。