Polianski Igor J, Kosenko Oxana
Institute of the History, Philosophy and Ethics of Medicine at Ulm University, Parkstraße 11, D-89073 Ulm, Germany.
Institute of the History, Philosophy and Ethics of Medicine at Ulm University, Parkstraße 11, D-89073 Ulm, Germany.
Microbes Infect. 2021 Sep-Oct;23(8):104838. doi: 10.1016/j.micinf.2021.104838. Epub 2021 May 1.
The present contribution analyses sanitary theatrical performances as a means of anti-tuberculosis propaganda in the early Soviet Union. Starting in the 1920s, sanitary theatrical performances were demonstrated in open-air theatres and clubhouses for workers and farmers. Since 1925, the newly founded Moscow Theatre for Sanitary Culture centrally managed the theatrical hygiene propaganda. It became a role model for other theatres of hygienic enlightenment and numerous sanitary amateur stages. Their anti-tuberculosis repertoire ranged from the so-called "mock trials" where a person or even Koch's bacillus must stand trial for the spreading of tuberculosis, to "living newspapers" which used entertainment elements such as music or acrobatics to provide a mass audience with the hygiene knowledge. The contribution describes in which images, figures and actions knowledge about tuberculosis was presented on stage, which genre traditions and communicative instruments were used and which changing political implications those performances were based on. To achieve this goal, the archive sources, selected texts of theatrical performances, reports and reviews in daily press have been evaluated.
本文分析了苏联早期作为抗结核病宣传手段的卫生戏剧表演。从20世纪20年代开始,卫生戏剧表演在露天剧场以及面向工人和农民的俱乐部中进行展示。自1925年起,新成立的莫斯科卫生文化剧院集中管理戏剧卫生宣传工作。它成为了其他卫生启蒙剧院以及众多卫生业余剧团的榜样。它们的抗结核病剧目种类繁多,从所谓的“模拟审判”(即让一个人甚至结核杆菌因传播结核病而受审)到“活报剧”(利用音乐或杂技等娱乐元素向广大观众传授卫生知识)。本文描述了在舞台上,结核病知识是通过哪些形象、人物和行动呈现的,使用了哪些体裁传统和传播手段,以及这些表演所基于的不断变化的政治含义。为实现这一目标,对档案资料、戏剧表演的精选文本、日报上的报道和评论进行了评估。