Department of Psychology.
Hist Psychol. 2021 Aug;24(3):228-254. doi: 10.1037/hop0000188. Epub 2021 Apr 22.
In 1948, the motion picture was released to popular and critical acclaim. Directed by Anatole Litvak, the film told of the mental illness and recovery of one patient, who survived overcrowding and understaffing and was treated by a neo-Freudian psychiatrist known as Dr. Kik. It was based on a novel of the same title by Mary Jane Ward, who had been treated at Rockland State Hospital in New York. Building upon exposés of horrid hospital conditions in the press, helped motivate reforms in the treatment of the mentally ill. Via unpublished correspondence and drafts of the film's screenplay, this article explores the populist and antifascist themes in , which came from the director, screenwriters, and the politics of the immediate post-WWII era. It also describes the case history of Mary Jane Ward and her treatment by Gerard Chrzanowski, the real "Dr. Kik." (PsycInfo Database Record (c) 2021 APA, all rights reserved).
1948 年，这部电影上映，获得了观众和评论界的好评。该片由阿纳托尔·利特瓦克执导，讲述了一位患者的精神疾病和康复过程，他在人员不足和过度拥挤的情况下幸存下来，并接受了一位被称为基克博士的新弗洛伊德派精神病医生的治疗。该片改编自玛丽·简·沃德的同名小说，后者曾在纽约的罗克兰州立医院接受治疗。在媒体曝光了可怕的医院条件后，这部电影促成了对精神疾病治疗的改革。通过未发表的信件和电影剧本草稿，本文探讨了《惊魂记》中的民粹主义和反法西斯主题，这些主题来自导演、编剧和二战后立即出现的政治环境。本文还描述了玛丽·简·沃德的病史以及她在真正的“基克博士”杰勒德·赫扎诺夫斯基治疗下的情况。
