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野生鸟类种群歌声中的文化进化机制

Mechanisms of Cultural Evolution in the Songs of Wild Bird Populations.

作者信息

Williams Heather

机构信息

Biology Department, Williams College, Williamstown, MA, United States.

出版信息

Front Psychol. 2021 Apr 26;12:643343. doi: 10.3389/fpsyg.2021.643343. eCollection 2021.

Abstract

Young songbirds draw the source material for their learned songs from parents, peers, and unrelated adults, as well as from innovation. These learned songs are used for intraspecific communication, and have well-documented roles for such functions as territory maintenance and mate attraction. The songs of wild populations differ, forming local "dialects" that may shift over time, suggesting that cultural evolution is at work. Recent work has focused on the mechanisms responsible for the cultural evolution of bird songs within a population, including drift, learning biases (such as conformity and rare-form copying), and selection (including sexual selection). In many songs or song repertoires, variability is partitioned, with some songs or song segments being stable and consistent, while others vary within the population and across time, and still others undergo population-wide transitions over time. This review explores the different mechanisms that shape the cultural evolution of songs in wild populations, with specific reference to a long-term investigation of a single population of philopatric Savannah sparrows. Males learn a single four-segment song during their 1st year and sing the same song thereafter. Within this song, the buzz segment is a population marker, and may be stable for decades - variant forms occur but eventually disappear. In contrast, the middle segment is highly variable both within the population and over time; changes in relative prevalence of different forms may be due to cultural drift or a rare-form learning bias. Within the introductory segment, a high note cluster was replaced by a click train between 1982 and 2010, following an S-shaped trajectory characteristic of both selective sweeps in population genetics and the replacement of one form by another in human language. In the case of the Savannah sparrows, this replacement may have been due to sexual selection. In subsequent generations, the number of clicks within trains increased, a form of cultural directional selection. In contrast to the narrowing of a trait's range during directional selection in genetic systems, variation in the number of clicks in a train increased as the mean value shifted because improvisation during song learning allowed the range of the trait to expand. Thus, in the single short song of the Savannah sparrow, at least four different mechanisms appear to contribute to three different types of cultural evolutionary outcomes. In the future, it will be import to explore the conditions that favor the application of specific (and perhaps conditional) learning rules, and studies such as the ongoing song seeding experiment in the Kent Island Savannah sparrow population will help in understanding the mechanisms that promote or repress changes in a population's song.

摘要

年幼的鸣禽从父母、同伴、无关的成年个体以及创新中获取其习得歌曲的素材。这些习得的歌曲用于种内交流,并且在诸如领地维护和吸引配偶等功能方面有着充分记载的作用。野生种群的歌曲存在差异,形成了可能随时间变化的地方“方言”,这表明文化进化在起作用。最近的研究聚焦于种群内鸟类歌曲文化进化的机制,包括漂变、学习偏好(如从众和模仿稀有形式)以及选择(包括性选择)。在许多歌曲或歌曲曲目当中,变异性是被划分的,有些歌曲或歌曲片段是稳定且一致的,而其他的则在种群内部以及随时间变化,还有一些则随着时间推移经历全种群范围的转变。这篇综述探讨了塑造野生种群歌曲文化进化的不同机制,并特别参考了对留巢萨凡纳麻雀单一种群的长期研究。雄性在第一年学会一首由四个片段组成的单一歌曲,此后一直唱同一首歌。在这首歌中,嗡嗡声片段是种群标记,可能几十年都保持稳定——变体形式会出现但最终消失。相比之下,中间片段在种群内部以及随时间变化都高度可变;不同形式相对流行程度的变化可能是由于文化漂变或稀有形式学习偏好。在引言片段中,1982年至2010年间,一个高音簇被一连串咔哒声取代,遵循了种群遗传学中选择性扫荡以及人类语言中一种形式被另一种形式取代所特有的S形轨迹。就萨凡纳麻雀而言,这种取代可能是由于性选择。在随后的几代中,一连串咔哒声中的咔哒声数量增加了,这是一种文化定向选择的形式。与遗传系统中定向选择期间性状范围变窄相反,随着平均值的变化,一连串咔哒声数量的变异性增加了,因为歌曲学习过程中的即兴创作使得该性状的范围得以扩大。因此,在萨凡纳麻雀这首单一的短歌中,至少有四种不同机制似乎促成了三种不同类型的文化进化结果。未来,探究有利于应用特定(或许是有条件的)学习规则的条件将很重要,而诸如正在进行的肯特岛萨凡纳麻雀种群歌曲播种实验等研究将有助于理解促进或抑制种群歌曲变化的机制。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/1461/8107227/d24a9c61bd53/fpsyg-12-643343-g0001.jpg

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