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视觉和听觉反馈在小提琴和歌唱音高匹配任务中的作用。

Effects of Visual and Auditory Feedback in Violin and Singing Voice Pitch Matching Tasks.

作者信息

Blanco Angel David, Tassani Simone, Ramirez Rafael

机构信息

Music and Machine Learning Lab, Department of Information and Communications Technologies, Universitat Pompeu Fabra, Barcelona, Spain.

Multiscale and Computational Biomechanics and Mechanobiology Team, Department of Information and Communications Technologies, Universitat Pompeu Fabra, Barcelona, Spain.

出版信息

Front Psychol. 2021 Jul 8;12:684693. doi: 10.3389/fpsyg.2021.684693. eCollection 2021.

Abstract

Auditory-guided vocal learning is a mechanism that operates both in humans and other animal species making us capable to imitate arbitrary sounds. Both auditory memories and auditory feedback interact to guide vocal learning. This may explain why it is easier for humans to imitate the pitch of a human voice than the pitch of a synthesized sound. In this study, we compared the effects of two different feedback modalities in learning pitch-matching abilities using a synthesized pure tone in 47 participants with no prior music experience. Participants were divided into three groups: a feedback group ( = 15) receiving real-time visual feedback of their pitch as well as knowledge of results; an equal-timbre group ( = 17) receiving additional auditory feedback of the target note with a similar timbre to the instrument being used (i.e., violin or human voice); and a control group ( = 15) practicing without any feedback or knowledge of results. An additional fourth group of violin experts performed the same task for comparative purposes ( = 15). All groups were posteriorly evaluated in a transfer phase. Both experimental groups (i.e., the feedback and equal-timbre groups) improved their intonation abilities with the synthesized sound after receiving feedback. Participants from the equal-timber group seemed as capable as the feedback group of producing the required pitch with the voice after listening to the human voice, but not with the violin (although they also showed improvement). In addition, only participants receiving real-time visual feedback learned and retained in the transfer phase the mapping between the synthesized pitch and its correspondence with the produced vocal or violin pitch. It is suggested that both the effect of an objective external reward, together with the experience of exploring the pitch space with their instrument in an explicit manner, helped participants to understand how to control their pitch production, strengthening their schemas, and favoring retention.

摘要

听觉引导的声乐学习是一种在人类和其他动物物种中都起作用的机制,使我们能够模仿任意声音。听觉记忆和听觉反馈相互作用以引导声乐学习。这或许可以解释为什么人类模仿人声的音高比模仿合成声音的音高更容易。在本研究中,我们比较了两种不同反馈方式对47名没有音乐经验的参与者学习音高匹配能力的影响,使用的是合成纯音。参与者被分为三组:反馈组(n = 15),接收其音高的实时视觉反馈以及结果信息;等音色组(n = 17),接收与所使用乐器(即小提琴或人声)音色相似的目标音符的额外听觉反馈;以及对照组(n = 15),在没有任何反馈或结果信息的情况下进行练习。另外第四组小提琴专家为了比较目的执行相同任务(n = 15)。所有组在后续的迁移阶段进行评估。两个实验组(即反馈组和等音色组)在收到反馈后,用合成声音提高了他们的语调能力。等音色组的参与者在听了人声后,似乎在通过声音发出所需音高方面与反馈组能力相当,但在听小提琴声音时则不然(尽管他们也有进步)。此外,只有接收实时视觉反馈的参与者在迁移阶段学习并记住了合成音高与其所发出的人声或小提琴音高之间的对应关系。研究表明,客观外部奖励的效果,以及以明确方式用其乐器探索音高空间的经验,帮助参与者理解如何控制音高产生,强化了他们的模式,并有利于记忆保持。

https://cdn.ncbi.nlm.nih.gov/pmc/blobs/b96f/8297736/c06c0a4ab047/fpsyg-12-684693-g0001.jpg

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