La Manna Gabriella, Picciulin Marta, Crobu Alessia, Perretti Francesco, Ronchetti Fabio, Manghi Michele, Ruiu Alberto, Ceccherelli Giulia
Environmental Research and Conservation, MareTerra Onlus, Alghero, Italy.
Dipartimento di Chimica e Farmacia, Università degli Studi di Sassari, Sassari, Italy.
PeerJ. 2021 Dec 15;9:e12551. doi: 10.7717/peerj.12551. eCollection 2021.
Marine soundscape is the aggregation of sound sources known as geophony, biophony, and anthrophony. The soundscape analysis, in terms of collection and analysis of acoustic signals, has been proposed as a tool to evaluate the specific features of ecological assemblages and to estimate their acoustic variability over space and time. This study aimed to characterise the Capo Caccia-Isola Piana Marine Protected Area (Italy, Western Mediterranean Sea) soundscape over short temporal (few days) and spatial scales (few km) and to quantify the main anthropogenic and biological components, with a focus on fish biophonies.
Within the MPA, three sites were chosen each in a different protection zone (A for the integral protection, B as the partial protection, and C as the general protection). In each site, two underwater autonomous acoustic recorders were deployed in July 2020 at a depth of about 10 m on rocky bottoms. To characterise the contribution of both biophonies and anthrophonies, sea ambient noise (SAN) levels were measured as sound pressure level (SPL dB re: 1 μ Pa-rms) at eight 1/3 octave bands, centred from 125 Hz to 16 kHz, and biological and anthropogenic sounds were noted. Fish sounds were classified and counted following a catalogue of known fish sounds from the Mediterranean Sea based on the acoustic characteristic of sound types. A contemporary fish visual census had been carried out at the test sites.
SPL were different by site, time (day . night), and hour. SPLs bands centred at 125, 250, and 500 Hz were significantly higher in the daytime, due to the high number of boats per minute whose noise dominated the soundscapes. The loudest man-made noise was found in the A zone, followed by the B and the C zone, confirming that MPA current regulations do not provide protection from acoustic pollution. The dominant biological components of the MPA soundscape were the impulsive sounds generated by some invertebrates, snapping shrimps and fish. The vast majority of fish sounds were recorded at the MPA site characterized by the highest sound richness, abundance, and Shannon-Wiener index, coherently with the results of a fish visual census. Moreover, the acoustic monitoring detected a sound associated with a cryptic species ( spp.) never reported in the study area before, further demonstrating the usefulness of passive acoustic monitoring as a complementary technique to species census. This study provides baseline data to detect future changes of the marine soundscapes and some suggestions to reduce the impact of noise on marine biodiversity.
海洋声景是由地声、生物声和人类活动声音组成的声源集合。声景分析,即对声学信号的收集和分析,已被提议作为一种工具,用于评估生态群落的特定特征,并估计其在空间和时间上的声学变异性。本研究旨在描述卡波卡恰-伊索拉皮亚纳海洋保护区(意大利,西地中海)在短时间(几天)和空间尺度(几公里)上的声景特征,并量化主要的人为和生物成分,重点是鱼类生物声。
在海洋保护区内,在三个不同的保护区各选择了三个地点(A为完全保护区,B为部分保护区,C为一般保护区)。在每个地点,2020年7月在约10米深的岩石底部部署了两个水下自主声学记录器。为了描述生物声和人类活动声音的贡献,在以125赫兹至16千赫兹为中心的八个1/3倍频程频段上测量了海洋环境噪声(SAN)水平,以声压级(SPL分贝:相对于1微帕均方根)表示,并记录了生物和人为声音。根据地中海已知鱼类声音的目录,按照声音类型的声学特征对鱼类声音进行分类和计数。在测试地点同时进行了鱼类视觉普查。
声压级因地点、时间(白天.夜晚)和小时而异。以125、250和500赫兹为中心的声压级频段在白天显著更高,这是因为每分钟有大量船只,其噪声主导了声景。在A区发现了最响亮的人为噪声,其次是B区和C区,这证实了海洋保护区目前的规定无法提供免受声学污染的保护。海洋保护区声景的主要生物成分是一些无脊椎动物、枪虾和鱼类产生的脉冲声音。绝大多数鱼类声音是在声景丰富度、丰度和香农-维纳指数最高的海洋保护区地点记录到的,这与鱼类视觉普查的结果一致。此外,声学监测检测到一种与一种此前在研究区域从未报道过的隐存物种(物种)相关的声音,进一步证明了被动声学监测作为物种普查补充技术的有用性。本研究提供了检测海洋声景未来变化的基线数据,并提出了一些减少噪声对海洋生物多样性影响的建议。