Ricca Michela, Alberghina Maria Francesca, Houreh Negin Derakhshan, Koca Aybuke Sultan, Schiavone Salvatore, La Russa Mauro Francesco, Randazzo Luciana, Ruffolo Silvestro Antonio
Department of Biology, Ecology and Earth Sciences (DiBEST), University of Calabria, Arcavacata di Rende, 87036 Cosenza, CS, Italy.
S.T.Art-Test, 93015 Niscemi, CL, Italy.
Materials (Basel). 2022 May 9;15(9):3411. doi: 10.3390/ma15093411.
A multi-analytical approach was employed to study wall paintings located in the church at Paola, in the province of Cosenza, Italy. The site is an underground church (hence the name of Sotterra, which means "under the earth") rediscovered in the second half of the 19th century, during the building works of the church on the same area. This underground church preserves valuable mural paintings having different styles. The construction's dating and overlapped modifications made until the site was abandoned is also debated. A wall painting, depicting "The Virgin" as part of the "Annunciation and the Archangel Gabriel" present on the opposite side of the apse, was selected and investigated using both in situ and laboratory-based analysis. Preliminarily, the non-destructive investigations involved several analytical techniques (IR imaging, UV-Induced Visible Fluorescence, and X-ray Fluorescence analyses) that provided mapping and characterization of pictorial layers and first data about deterioration phenomena. On the basis of this information, a more in-depth study was conducted on micro-fragments aimed at characterizing the stratigraphy and to identify the artist's technique. Cross-sections were analysed using polarized optical microscopy and electron scanning microscopy coupled with energy-dispersive X-ray spectroscopy to obtain morphological and chemical information on the selected pictorial micro-fragments of the wall painting. The results allowed to characterize the pigments and provide better readability of the whole figure, revealing details that are not visible to the naked eye, important for future historical-artistic and conservative studies. The results represent the first step of a systematic archaeometric research aimed at supporting the ongoing historical-stylistic studies to distinguish the different building phases hypothesized for this religious site which remained buried for three centuries.
采用了一种多分析方法来研究位于意大利科森扎省保拉镇教堂内的壁画。该遗址是一座地下教堂(因此名为索泰拉,意为“在地下”),于19世纪下半叶在同一区域的教堂建筑工程中被重新发现。这座地下教堂保存了具有不同风格的珍贵壁画。关于该建筑的年代测定以及在遗址废弃前的重叠改造情况也存在争议。一幅描绘“圣母”的壁画被选作研究对象,它是后殿另一侧“天使报喜与天使加百列”的一部分,并通过现场和实验室分析进行了研究。初步的无损检测涉及多种分析技术(红外成像、紫外诱导可见荧光和X射线荧光分析),这些技术提供了绘画层的图谱和特征描述以及关于劣化现象的初步数据。基于这些信息,对微碎片进行了更深入的研究,旨在确定地层结构并识别艺术家的绘画技巧。使用偏光显微镜和与能量色散X射线光谱联用的电子扫描显微镜对横截面进行分析,以获取壁画所选绘画微碎片的形态和化学信息。研究结果能够对颜料进行表征,并使整幅图像更清晰可读,揭示肉眼不可见的细节,这对未来的历史艺术和保护研究很重要。这些结果代表了系统的考古测量研究的第一步,旨在支持正在进行的历史风格研究,以区分这个被掩埋了三个世纪的宗教场所假设的不同建筑阶段。