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超共生体:对微生物组研究和新技术的伦理与环境影响的艺术反思。

Hypersymbiotics™: An artistic reflection on the ethical and environmental implications of microbiome research and new technologies.

机构信息

University of Hertfordshire, Hatfield, Hertfordshire AL10 9AB, UK; Brighton and Sussex Medical School, BSMS Teaching Building, University of Sussex, Brighton, East Sussex BN1 9PX, UK.

出版信息

Endeavour. 2022 Mar-Jun;46(1-2):100820. doi: 10.1016/j.endeavour.2022.100820. Epub 2022 Jun 23.

Abstract

This essay describes my ongoing series "Hypersymbiotics™," which began in 2012 and explores the potential ways in which our microbiome, genetics, epigenetics and even our environment could potentially be enhanced to turn us into human 'super-organisms.' The series includes performances and installations involving BioArt, as well as photographic documentation of ephemeral artworks and takes the form of a vehicle for public discussion about new healthcare technologies. The essay discusses artworks made using synthetic biology techniques including CRISPR genetic modification in bacteria and yeasts, and gene editing in plants, as well as using artificial intelligence and stem cell research. It critiques the role of the media and advertising in the promotion of complex new biomedical technologies. The "Hypersymbiotics™" series is deeply concerned with promoting public understanding of the ethical implications of new scientific developments and enabling reflection and debate. At its core the artwork is about knowledge, power, and control and where that resides.

摘要

这篇文章介绍了我正在进行的系列作品“超共生体”(Hypersymbiotics),该系列始于 2012 年,探索了我们的微生物组、遗传学、表观遗传学,甚至我们的环境可能被增强的潜在方式,以使我们成为人类“超级生物体”。该系列包括涉及生物艺术的表演和装置,以及对短暂艺术作品的摄影记录,并以一种关于新医疗技术的公众讨论的载体的形式出现。这篇文章讨论了使用合成生物学技术创作的作品,包括细菌和酵母中的 CRISPR 基因修饰,以及植物中的基因编辑,以及使用人工智能和干细胞研究。它批评了媒体和广告在宣传复杂的新生物医学技术方面的作用。“超共生体”系列作品非常关注促进公众对新科学发展的伦理影响的理解,并使人们能够进行反思和辩论。从本质上讲,艺术品是关于知识、权力和控制以及它们的归属。

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