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从纸上文本到数字诗歌:初任教师教育中的创造力与数字文学阅读实践

From Text on Paper to Digital Poetry: Creativity and Digital Literary Reading Practices in Initial Teacher Education.

作者信息

Selfa Sastre Moisés, Falguera Garcia Enric

机构信息

Department of Specific Didactics, Universitat de Lleida, Lleida, Spain.

出版信息

Front Psychol. 2022 Jun 17;13:882898. doi: 10.3389/fpsyg.2022.882898. eCollection 2022.

Abstract

The new contexts of literary education allow for the creation of digital reading and writing practices related to what specialised literature calls digital literature. Among these practices and with an eminently theoretical content and with an example of this content, in this paper, we want to focus our gaze on cyberpoetry, conceived as an exercise in literary creativity that firstly involves use of technology and specific software for the digital creation of poetic texts and, last but not least, knowledge and mastery of poetic language and the literary conventions linked thereto. From this point of view, in initial teacher training, we work with future teachers to create cyberpoems with a dual purpose: on the one hand, to reflect on what literary reading in digital format entails and to rehearse reading mediation processes that can be carried out with this type of literature, and, on the other, to begin in the digital creation of cyberpoems that, later, may be presented and worked in a real context of the school classroom. In this paper, we present digital practices of literary reading that have been created by student teachers in initial training. The creation of these practices has been carried out with the tool. For data collection, the URL of each creation is accessed in order to analyse them. The analysis of the data follows the parameters of the qualitative methodology, specifically based on three categories of analysis for each digital creation: multimodality, hypertextuality and the interaction of each digital reading proposal. The conclusions of all this allow us to affirm that the creation of cyberpoems is an exercise in literary creativity that has to take into account the digital dimension of the literary text and its reading comprehension in a multimodal environment. Thus, the teacher in initial training carries out a digital literary mediation exercise, of a creative type, which he will later carry out in his pedagogical practice.

摘要

文学教育的新环境使得与专业文献中所称的数字文学相关的数字阅读和写作实践得以产生。在这些实践中,本文将以具有突出理论内容并以该内容为例,把目光聚焦于网络诗歌,它被视为一种文学创作活动,首先涉及利用技术和特定软件进行诗歌文本的数字创作,最后但同样重要的是,涉及对诗歌语言以及与之相关的文学惯例的了解和掌握。从这个角度来看,在初始教师培训中,我们与未来的教师合作创作网络诗歌,目的有二:一方面,思考数字格式的文学阅读意味着什么,并演练可以用这类文学进行的阅读调解过程;另一方面,开始进行网络诗歌的数字创作,这些作品随后可以在学校课堂的真实环境中展示和研讨。在本文中,我们展示了初始培训中的实习教师所创造的文学阅读数字实践。这些实践的创造是通过[具体工具名称未给出]工具完成的。为了收集数据,访问每个作品的网址以便进行分析。数据分析遵循定性方法的参数,具体基于对每个数字作品的三类分析:多模态、超文本性以及每个数字阅读提议的交互性。所有这些的结论使我们能够肯定,网络诗歌的创作是一种文学创作活动,必须考虑文学文本的数字维度及其在多模态环境中的阅读理解。因此,初始培训中的教师进行了一种创造性的数字文学调解练习,他随后将在其教学实践中开展此项练习。

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